Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-09T13:27:22.886Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Part One - Odists

Yasser Elhariry
Affiliation:
Dartmouth College
Get access

Summary

Early Arabic lyric casts a gauzy veil over and across French poetry. It informs and influences Franco-Arab poetic aesthetics in the twentieth and twenty-first centuries. The continual persistence of its subsurface closeness to contemporary and modern forms foils a near-invisibility, undergirding poetic intimacies to a point of semblant sameness. The difference, much finer in reality, seems linguistic—French written over Arabic, writing French across Arabic. The repetition of difference transforms appearances, begetting questions of origin, chains of transmissions, the immutability of a singular, matricial ur-form. Is Arab lyric condemned to endless cycles of selfsame iterations, reproductions, calques? Is lyric a dress, exceeding its mode of address? A fabric that clothes and dresses, closes and disses the poem? Swollen full of the translanguage, the poem rips it up.

Origins

The earliest known Arabic texts date from the fifth century. The most famous among them, which form the locus of inquiry here, date from the sixth century. Contemporary scholars of Arabic such as A. J. Arberry and Alan Jones have alternatively referred to early Arabic lyric as ‘the first chapter in Arabic literature’ and to ‘a general appreciation among the classical Arab critics of the basic importance of poetry in early Arab tribal society’ (Jones, Early 1). Across the immense body of scholarship on classical Arabic literature, a general consensus prevails on the acoustic image of the earliest texts: their oral sonority, their psychic imprint, the impression traced over the imaginary of Arabic literary cultures, and, later, over the imaginary of the Franco-Arabic lyric and French poetry.

In his classic lectures on Arabic poetics, delivered at the Collège de France in May 1984, then published in 1985 as Introduction à la poetique arabe, Syrian poet and critic Adonis dedicates his opening reflections to the po étics of orality in jāhiliyya. Literally meaning ‘the age of ignorance,’ al-jāhiliyya refers to Arabia in the era prior to the advent of Islam in 610 ce, the year of the first Qurʾānic revelations by the archangel Gabriel to the prophet Mu ḥammad, and the hijra [emigration] of Mu ḥammad from Mecca to Medina in 622 ce.

Type
Chapter
Information
Pacifist Invasions
Arabic, Translation, and the Postfrancophone Lyric
, pp. 39 - 53
Publisher: Liverpool University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×