Book contents
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Outcry
- Book First
- Book Second
- Book Third
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
I
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Outcry
- Book First
- Book Second
- Book Third
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
- Appendices
Summary
HUGH CRIMBLE waited again in the Bruton Street drawing-room—this time at the afternoon hour; he restlessly shifted his place, looked at things about him without seeing them; all he saw, all he outwardly studied, was his own face and figure as he stopped an instant before a long glass suspended between two windows. Just as he turned from that brief and perhaps not wholly gratified inspection Lady Grace—that he had sent up his name to whom was immediately apparent—presented herself at the entrance from the other room. These young persons had hereupon no instant exchange of words; their exchange was mute—they but paused where they were; while the silence of each evidently tested the other for full confidence. A measure of this comfort came first, it would have appeared, to Hugh; though he then at once asked for confirmation of it.
“Am I right, Lady Grace, am I right?—to have come, I mean, after so many days of not hearing, not knowing, and perhaps, all too stupidly, not trying.” And he went on as, still with her eyes on him, she didn't speak; though, only, we should have guessed, from her stress of emotion. “Even if I’m wrong, let me tell you, I don't care—simply because, whatever new difficulty I may have brought about for you here a fortnight ago, there's something that to-day adds to my doubt and my fear too great a pang, and that has made me feel I can scarce bear the suspense of them as they are.”
The girl came nearer, and if her grave face expressed a pity it yet declined a dread. “Of what suspense do you speak? Your still being without the other opinion——?”
“Ah, that worries me, yes; and all the more, at this hour, as I say, that—” He dropped it, however: “I’ll tell you in a moment! My real torment, all the while, has been not to know, from day to day, what situation, what complication that last scene of ours with your father here has let you in for; and yet at the same time—having no sign or sound from you!—to see the importance of not making anything possibly worse by approaching you again, however discreetly.
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- Information
- The Outcry , pp. 117 - 126Publisher: Cambridge University PressPrint publication year: 2016