Book contents
- Frontmatter
- Contents
- Tables
- Introduction
- Part I The seventeenth and eighteenth centuries
- Part II The nineteenth century
- Chapter 7 Romanticism and Romantic opera in Germany
- Chapter 8 Opera in nineteenth-century Italy
- Chapter 9 Grand opéra and the visual language of opera
- Chapter 10 The Wagnerian revolution
- Chapter 11 Nationalists: vernacular language and music
- Chapter 12 The role of the singer
- Part III The twentieth and twenty-first centuries
- Appendix 1 Motifs from The Ring used in Chapter 10
- Appendix 2 The development of singing voices in opera
- Appendix 3 The development of lyric theatre alternatives to ‘opera’
- Appendix 4 Some major operas and artistic and political events of the twentieth century, 1899--2008
- Glossary of key terms
- Notes
- Bibliography
- Index
Chapter 7 - Romanticism and Romantic opera in Germany
from Part II - The nineteenth century
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Tables
- Introduction
- Part I The seventeenth and eighteenth centuries
- Part II The nineteenth century
- Chapter 7 Romanticism and Romantic opera in Germany
- Chapter 8 Opera in nineteenth-century Italy
- Chapter 9 Grand opéra and the visual language of opera
- Chapter 10 The Wagnerian revolution
- Chapter 11 Nationalists: vernacular language and music
- Chapter 12 The role of the singer
- Part III The twentieth and twenty-first centuries
- Appendix 1 Motifs from The Ring used in Chapter 10
- Appendix 2 The development of singing voices in opera
- Appendix 3 The development of lyric theatre alternatives to ‘opera’
- Appendix 4 Some major operas and artistic and political events of the twentieth century, 1899--2008
- Glossary of key terms
- Notes
- Bibliography
- Index
Summary
The Romantic age grew out of the upheavals of the Industrial Revolution, the French Revolution and the subsequent Napoleonic Wars. As these spread across Europe, so there developed a modern sense of nationhood and popular freedom that was expressed according to each country's historic and political needs through their particular cultural traditions. However, a characteristic of Romanticism was its shared themes and the close relationship between all the arts, in particular music, poetry, painting and theatre.
Revolution and war
Eighteenth-century Sentimentality had begun to value the importance of emotional response, reflected in the German Sturm und Drang (Storm and stress). But a major change came from an increasing sense that the Enlightenment's belief in rationalism had failed. The rationalist project had sought to control nature, both within and without the individual, to create an ordered world. But by the last decades of the century it was clear that poverty, crime, disease, war – all the blights of mankind – were still its major condition. At the same time, whatever its merits, the project had depended upon centralist, aristocratic imposition. But as the century advanced so did the power of the bourgeoisie, who increasingly became the real driving force of the European economies. Despite this they were excluded from the machinery of state, able neither to advise upon nor influence the laws that regulated their role. This ultimately exploded first in the American and then the French Revolutions which had in common the struggle against unbalanced and inept financial management, taxation policy and legislation.
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- Information
- Opera , pp. 105 - 126Publisher: Cambridge University PressPrint publication year: 2012