Book contents
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
16 - Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
Summary
As I sat down to organize my ideas in preparation for writing this chapter, I came to realize that my thinking and my research efforts have come full circle – or at the very least, that circle is closer than ever before to becoming closed. Almost thirty years ago, I moved to Denver, Colorado, to begin my career as a fledgling teacher. My experiences in my mixed-age classroom filled with 5-, 6-, and 7-year-olds kindled within me a deep interest in motivation and creativity of performance. My concerns about what our educational system was not doing to promote student growth in these areas became so great that I eventually left my elementary classroom to return to school myself. I was convinced that it was the field of psychology, and more specifically the study of the social psychology of creativity, that could best provide the answers I was looking for. As a graduate student and later as a professor of psychology, I have been almost single-minded in my attempts to answer empirically the question of how best to structure classrooms so that they are most conducive to student motivation and creativity. Over the past thirty-five years, researchers have contributed literally hundreds of investigations to the psychological and educational psychology literatures; for my own part, in the last few years, I have even been bold enough to end a few chapters or monographs with a “laundry list” of what teachers should and should not do if student intrinsic motivation and creativity are the goal.
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- Chapter
- Information
- Nurturing Creativity in the Classroom , pp. 329 - 361Publisher: Cambridge University PressPrint publication year: 2010
References
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