Book contents
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
11 - Education Based on a Parsimonious Theory of Creativity
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
Summary
The best education is grounded in good science. It is not based on opinion, tradition, or speculation but instead is drawn directly from the reliable information of empirical studies and the logical theories that take into account the empirical data. I have often told my students (many of whom are planning to teach) that it is their ethical responsibility to develop curriculum and follow pedagogy that has been tested and verified.
Fortunately, there is no lack of good information about creativity. This means that educators should have plenty of data and reliable theory to apply in the classroom. There is also quite a bit of bad information about creativity, but if opinion, tradition, and speculation are used to identify untrustworthy sources, it is not that difficult to separate the wheat from the chaff.
Indeed, there may be too much information about creativity. There are different perspectives on various aspects of the creative process (e.g., Simonton, 2007; Weisberg, 2007), which can make it difficult to focus. Many of the differences can be explained by the fact that creativity is a syndrome (MacKinnon, 1965; Mumford & Gustafson, 1988), which is affected by quite a few different influences. Additionally, it takes various forms depending on the creator's age (Runco & Charles, 1997) and the domain (Albert, 1980; Gardner, 1983). Age and domain are especially relevant to education because they indicate that certain things may be best for the creativity of a preschool- or elementary school–aged student, but other things may be best for an adolescent or a young adult.
- Type
- Chapter
- Information
- Nurturing Creativity in the Classroom , pp. 235 - 251Publisher: Cambridge University PressPrint publication year: 2010
References
- 20
- Cited by