Book contents
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
4 - Creativity: A Look Outside the Box in Classrooms
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
Summary
The concept of creativity is often dependent on the ideas of the person presenting the concept, thereby generating both positive and negative responses that often confuse teachers who try to use creative skills within the classroom to enhance out-of-the-box thinking.
Creativity has become a major buzzword among scholars in the arts, psychology, business, education, and science and in many corporate offices where unique designs are a basic commodity. Although this is the current buzzword, as John Baer (2003, p. 37) has said:
Of all the things that it is hard to understand – and this would be a very long list – creativity is certainly one of the hardest, and most mysterious, even when considered within the confines of a single culture.
DEFINING CREATIVITY: WHAT IT IS AND IS NOT
Three decades ago, Treffinger, Renzulli, and Feldhusen (1971) argued that as a result of the lack of a unified widely accepted theory of creativity, researchers and educators have been confronted with several difficulties: establishing a useful operational definition, understanding the implications of differences among tests and test administration procedures, and understanding the relationship of creativity to other human abilities (p. 107).
Three decades later, there remains uncertainty and lack of reliability and acceptance of the existence of and the value of creative planning in the teaching of various subjects in the classroom.
Amabile (2001), who heads the Entrepreneurial Management Unit at the Harvard Business School, has devoted her research program to the study of creativity.
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- Chapter
- Information
- Nurturing Creativity in the Classroom , pp. 73 - 87Publisher: Cambridge University PressPrint publication year: 2010
References
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