Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-05T15:36:32.057Z Has data issue: false hasContentIssue false

Epilogue

Published online by Cambridge University Press:  08 June 2019

Harriet Phillips
Harriet Phillips
Affiliation:
Queen Mary University of London
Get access

Summary

A brief coda on the afterlives of early modern broadside ballads considered no longer as performances but as texts, and increasingly assimilated to a narrative of English popular culture that would re-emerge in the nineteenth century’s rediscovery of ‘Merry England’.

Keywords

ballad collection
Type
Chapter
Information
Nostalgia in Print and Performance, 1510–1613
Merry Worlds
 , pp. 206 - 210
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Epilogue
  • Harriet Phillips, Queen Mary University of London
  • Book: Nostalgia in Print and Performance, 1510–1613
  • Online publication: 08 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108612685.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Epilogue
  • Harriet Phillips, Queen Mary University of London
  • Book: Nostalgia in Print and Performance, 1510–1613
  • Online publication: 08 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108612685.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Epilogue
  • Harriet Phillips, Queen Mary University of London
  • Book: Nostalgia in Print and Performance, 1510–1613
  • Online publication: 08 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108612685.009
Available formats
×