Book contents
- Nietzsche as German Philosopher
- The German Philosophical Tradition
- Nietzsche as German Philosopher
- Copyright page
- Contents
- Contributors
- Source Acknowledgments
- Abbreviations
- Introduction
- I The Aesthetic Dimension
- 1 Nietzsche’s Conception of Irony
- 2 Nietzsche, Philosopher of Music
- 3 Artistic Metaphysics: On Nietzsche’s Early Program for an Aesthetic Justification of the World
- 4 “The Three Metamorphoses”: A Genealogy of the Spirit
- II Philosophical Themes
- III Power and Truth
- IV Religion and Religiosity
- Bibliography
- Index
2 - Nietzsche, Philosopher of Music
from I - The Aesthetic Dimension
Published online by Cambridge University Press: 18 February 2021
- Nietzsche as German Philosopher
- The German Philosophical Tradition
- Nietzsche as German Philosopher
- Copyright page
- Contents
- Contributors
- Source Acknowledgments
- Abbreviations
- Introduction
- I The Aesthetic Dimension
- 1 Nietzsche’s Conception of Irony
- 2 Nietzsche, Philosopher of Music
- 3 Artistic Metaphysics: On Nietzsche’s Early Program for an Aesthetic Justification of the World
- 4 “The Three Metamorphoses”: A Genealogy of the Spirit
- II Philosophical Themes
- III Power and Truth
- IV Religion and Religiosity
- Bibliography
- Index
Summary
What is familiar, Hegel says, is so because it is familiar, not because it is recognized. How much this conclusion hits the mark is shown by Nietzsche’s critique of Wagner. It counts among the inevitable fare of intellectually pretentious small talk, it is a favorite topic on advanced degree examinations, and every year it generates a sizable amount of secondary literature. But most of the works on the topic do not create the impression that they are treating a philosophical subject. Even within serious Nietzsche scholarship, the case of Wagner is usually handled under the rubric of personal relations or as a mere developmental stage in Nietzsche’s thinking – or simply ignored.
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- Information
- Nietzsche as German Philosopher , pp. 45 - 53Publisher: Cambridge University PressPrint publication year: 2021