Book contents
- Frontmatter
- Dedication
- Contents
- Miscellaneous Frontmatter
- Introduction: Moments of Enlightenment for Jews and Other Germans
- Remembering Jonathan
- Jonathan M. Hess: Curriculum Vitae
- Maurice Sendak’s Dear Mili: A Contrapuntal Elegy
- Pluralism and the Modernized Jesus in Mendelssohn, Schiller, and Schleiermacher
- The Papal Game: Telling a Jewish Story from the Mayse bukh, Ayzik Meyer Dik and Marcus Lehmann
- The Fuzziness of Jewish and Non-Jewish Boundaries in Viennese Popular Culture around 1900: A Trend Toward “Similarity”?
- Freeing the Shtetl from the Ghetto Prism: Sholem Asch and Dovid Bergelson in German Translation
- A Poetics of Genocide: The Jewish Dead Confront the Germans in Katzenelson’s Warsaw Ghetto Poem “Vey dir”
- Appendix: “Vey dir”
- The New Ostjude and the Enlightened Ostdeutschen: Jewish Theater in the German Democratic Republic
- German Jewish lengevitch: A Plurilingual Poetics of Meddling
Pluralism and the Modernized Jesus in Mendelssohn, Schiller, and Schleiermacher
Published online by Cambridge University Press: 24 March 2021
- Frontmatter
- Dedication
- Contents
- Miscellaneous Frontmatter
- Introduction: Moments of Enlightenment for Jews and Other Germans
- Remembering Jonathan
- Jonathan M. Hess: Curriculum Vitae
- Maurice Sendak’s Dear Mili: A Contrapuntal Elegy
- Pluralism and the Modernized Jesus in Mendelssohn, Schiller, and Schleiermacher
- The Papal Game: Telling a Jewish Story from the Mayse bukh, Ayzik Meyer Dik and Marcus Lehmann
- The Fuzziness of Jewish and Non-Jewish Boundaries in Viennese Popular Culture around 1900: A Trend Toward “Similarity”?
- Freeing the Shtetl from the Ghetto Prism: Sholem Asch and Dovid Bergelson in German Translation
- A Poetics of Genocide: The Jewish Dead Confront the Germans in Katzenelson’s Warsaw Ghetto Poem “Vey dir”
- Appendix: “Vey dir”
- The New Ostjude and the Enlightened Ostdeutschen: Jewish Theater in the German Democratic Republic
- German Jewish lengevitch: A Plurilingual Poetics of Meddling
Summary
For Jonathan, in fond memory and in debt
JONATHAN HESS concludes his introduction to German, Jews and the Claims of Modernity (2002) with one of the central paradoxes of modernity. On the one hand, modernity is predicated on a break. It is a discourse that “envision[s] a new and secular world that claimed its legitimacy not with reference to the various traditions and legacies of the past it sought to overcome, but solely in relation to itself.” On the other hand, modernity is defined through its relationship to the past: “In its claim to radical novelty, the discourse of modernity had to negotiate its relation to the historical past and secure its position as the heir to the entirety of history itself” (Hess, 22). This contradictory dynamic—modernity's attempted break with history reinforces its deep ties to history—belongs to the broader story of Hess's book. The Enlightenment project of universalism and secularism is indissolubly, maybe fatally, bound up in the freighted past of Christian evangelism, colonialism, and anti-Judaism. But in his treatment of Jewish authors writing from a marginalized position, Hess also brings out the creative processes of modernity, the more inventive negotiations between past and present, religious identity and civic tolerance, that aim toward “a vision of religious reform that recuperates Judaism for modernity at the same time as it issues a challenge to emergent concepts of political universalism whose link to the Christian legacy were in desperate need of clarification” (Hess, 18). Hess's book thus immerses us deeply in the competing Christian and Jewish efforts to translate tradition into modernity. These eighteenth-century religious struggles, whether overt or covert, have shaped to an extraordinary degree the models of religious and civic pluralism that remain with us today.
One of the primary discursive battlefields for German religious modernity becomes, not surprisingly, Jesus, the figure defining the very boundary between the two religions. Those making a bid for Christianity's unique suitability for the modern age were determined to show that the religion transcended its historical connections to Judaism; they therefore strived to view Jesus in isolation from his historical Jewish context (Hess, 12); Jewish authors, conversely, came to insist on that context.
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- Nexus: Essays in German Jewish Studies, Volume 5Moments of Enlightenment: In Memory of Jonathan M. Hess, pp. 41 - 64Publisher: Boydell & BrewerPrint publication year: 2021