Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- Kafka, Childhood, and History
- The Black, White, and Gray Zones of Schindler's List: Steven Spielberg with Primo Levi
- Nexus Forum: A German Life: Edited and Introduced by Brad Prager
- Special Section on George Tabori: Edited and Introduced by Martin Kagel
Kafka, Childhood, and History
Published online by Cambridge University Press: 31 August 2018
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- Kafka, Childhood, and History
- The Black, White, and Gray Zones of Schindler's List: Steven Spielberg with Primo Levi
- Nexus Forum: A German Life: Edited and Introduced by Brad Prager
- Special Section on George Tabori: Edited and Introduced by Martin Kagel
Summary
Childhood is a frequent topic in Kafka's fictional and nonfictional writings. His view of childhood can be placed on a spectrum between Augustine's conviction of childish sinfulness and Rousseau's conviction of childish innocence, and, in his own time, between Freud's theory of infantile sexuality and Ellen Key's hopeful proposals for the reform of child-rearing. Kafka explores childhood especially in the short texts of his first book, Betrachtung (Meditation). Later he suggests a pessimistic model of history as a move from childhood imagination to the sober practicality of adult life, especially in his last story, “Josefine, die Sängerin oder das Volk der Mäuse” (Josefine, the Singer or the Mouse-People).
CHILDHOOD AND CHILDREN form a theme in Kafka's work whose importance has largely been overlooked. Kafka reflected continually on his own upbringing and on how poorly it had equipped him for adult life. He himself had strong views about how children should be reared, and he formulated them in a series of letters to his sister Elli when she was contemplating sending her son Felix to a progressive school.
Kafka's experience and his reflections on it can be better understood if placed in a historical context. Since at least the eighteenth century, there has been an ongoing controversy about how childhood should be conceptualized and, accordingly, about how children should be brought up. At one extreme, the child was an asocial being who could only be socialized through discipline which would suppress its refractory nature. At the other, the child's natural impulses were essentially good, and should be encouraged to develop in ways that, rather than just enabling the individual to slot into a predetermined social system, might allow childlike impulses to change society for the better.
In Kafka's literary work, there are of course many children and young people who embody an implicit critique of adult society and its values. But childhood also shapes Kafka's work in a more abstract way, which this essay is intended to explore. One of the master narratives that underlie Kafka's fiction is the story of growth from childhood to adulthood.
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- Information
- Nexus 4Essays in German Jewish Studies, pp. 5 - 22Publisher: Boydell & BrewerPrint publication year: 2018