Book contents
- The New William Faulkner Studies
- Twenty-First-Century Critical Revisions
- The New William Faulkner Studies
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Part I Approaches
- Chapter 1 Faulkner and Formalism
- Chapter 2 Faulkner and Modernist Gothic
- Chapter 3 “[T]he critic must leave the Western hemisphere”: Faulkner and World Literature
- Chapter 4 Faulkner and Print Culture
- Chapter 5 Faulkner After Morrison
- Chapter 6 Faulkner’s Acoustics, or Minor Sound
- Part II Cultures
- Part III Interfaces
- Index
Chapter 2 - Faulkner and Modernist Gothic
from Part I - Approaches
Published online by Cambridge University Press: 23 June 2022
- The New William Faulkner Studies
- Twenty-First-Century Critical Revisions
- The New William Faulkner Studies
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Part I Approaches
- Chapter 1 Faulkner and Formalism
- Chapter 2 Faulkner and Modernist Gothic
- Chapter 3 “[T]he critic must leave the Western hemisphere”: Faulkner and World Literature
- Chapter 4 Faulkner and Print Culture
- Chapter 5 Faulkner After Morrison
- Chapter 6 Faulkner’s Acoustics, or Minor Sound
- Part II Cultures
- Part III Interfaces
- Index
Summary
In the pantheon of high modernists, William Faulkner is the writer most identified with the gothic. From As I Lay Dying (1930) to Absalom, Absalom! (1936), Faulkner brought modernist innovations to gothic modalities, conveying the most grotesque scenes (a nine-day road-trip in July heat to bury Addie Bundren’s putrefying corpse) and relying upon conventional tropes (the haunted plantation house of Sutpen’s Hundred), all conveyed in virtuoso performance. Modernism and the gothic have been regarded so separately, however, by literary historians that scholars had not found affinities between the two until John Paul Riquelme guest-edited a special issue of Modern Fiction Studies on the topic in 2000, which was republished in book form as Gothic and Modernism: Essaying Dark Literary Modernity (2008).
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- Information
- The New William Faulkner Studies , pp. 36 - 50Publisher: Cambridge University PressPrint publication year: 2022