Book contents
- The New Walt Whitman Studies
- Twenty-First-Century Critical Revisions
- The New Walt Whitman Studies
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Part I The New Life of the New Forms: Aesthetics, Disciplines, Politics
- Part II Wet Paper Between Us: New Reading Methods
- Part III A Kosmos: The Critical Imagination
- Chapter 10 Critique Is Not That Old, Composition Is Not That New: Sadakichi Hartmann’s Conversations with Walt Whitman
- Chapter 11 Reading Whitman in Disenchanted Times
- Chapter 12 “Permit to Speak at Every Hazard”: Whitman’s Grammar of Risk
- Chapter 13 Whitman Getting Old
- Index
Chapter 10 - Critique Is Not That Old, Composition Is Not That New: Sadakichi Hartmann’s Conversations with Walt Whitman
from Part III - A Kosmos: The Critical Imagination
Published online by Cambridge University Press: 03 November 2019
- The New Walt Whitman Studies
- Twenty-First-Century Critical Revisions
- The New Walt Whitman Studies
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Part I The New Life of the New Forms: Aesthetics, Disciplines, Politics
- Part II Wet Paper Between Us: New Reading Methods
- Part III A Kosmos: The Critical Imagination
- Chapter 10 Critique Is Not That Old, Composition Is Not That New: Sadakichi Hartmann’s Conversations with Walt Whitman
- Chapter 11 Reading Whitman in Disenchanted Times
- Chapter 12 “Permit to Speak at Every Hazard”: Whitman’s Grammar of Risk
- Chapter 13 Whitman Getting Old
- Index
Summary
Settler colonialism entails the absorption of Indigenous peoples and their territories by a state that assumes jurisdiction over them without their meaningful consent, and the United States, therefore, is a settler-state, one founded and maintained through processes of settler colonialism. How, then, do nonnatives experience their relation to the space(s) claimed by/as the settler state? In his running return to the question of how national identity relates to forms of quotidian sensory life, Walt Whitman offers what might be understood as a theorization of settler sensation. Even as he explicitly endorses expansionism, he explores how everyday nonnative perception confirms the givenness of settlement by taking it as the implicit frame through which the landscape, and one’s relation to it, gains meaning. In doing so, he implicitly explores how settlers efface ongoing histories of Indigenous collective placemaking and normalize processes of dispossession.
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- Information
- The New Walt Whitman Studies , pp. 185 - 202Publisher: Cambridge University PressPrint publication year: 2019