Starting from Wallace Stevens’s own reflections on newness and its dynamic interchange with what comes before, the introduction explains how The New Wallace Stevens Studies is different from and complementary with previous edited volumes on the poet. After accounting for the selection of topics and contributors, it offers individual chapter summaries that simultaneously elucidate the volume’s tripartite rationale. The first group of essays explores concepts that have begun to emerge in Stevens criticism, from imperialism and colonialism to the poet’s utopian politics, his ideas about community-building and audience, his secularism, and his transnationalism. In the second part, contributors apply recent methodological and theoretical advances that have left a prominent mark on literary studies but not yet on Stevens scholarship. These include world literature, ecocriticism, urban studies, queer studies, intersectional thinking, and cognitive literary studies. Contributions to the final part reassess and deepen our understanding of issues that have long inspired critics. Here investigations include Stevens’s reception by later poets, his attitude toward modern fiction, different modes of his poetic thinking, aspects of his rhetoric and style, and his lyrical ethics.