Book contents
- The New Wallace Stevens Studies
- Twenty-First-Century Critical Revisions
- The New Wallace Stevens Studies
- Copyright page
- Contents
- Contributors
- Abbreviations
- Introduction That Which Is Always Beginning
- Part I Emerging Concepts in Stevens Criticism
- Part II Recent Critical Methods Applied to Stevens
- Part III Revisionary Readings of Stevens
- Index
- References
Part III - Revisionary Readings of Stevens
Published online by Cambridge University Press: 18 June 2021
Book contents
- The New Wallace Stevens Studies
- Twenty-First-Century Critical Revisions
- The New Wallace Stevens Studies
- Copyright page
- Contents
- Contributors
- Abbreviations
- Introduction That Which Is Always Beginning
- Part I Emerging Concepts in Stevens Criticism
- Part II Recent Critical Methods Applied to Stevens
- Part III Revisionary Readings of Stevens
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The New Wallace Stevens Studies , pp. 159 - 236Publisher: Cambridge University PressPrint publication year: 2021
References
Works Cited
Altieri, Charles. “How John Ashbery Modified Stevens’ Uses of ‘As.’” Poetry and Poetics after Wallace Stevens, edited by Eeckhout and Goldfarb, pp. 183–200.Google Scholar
Berrigan, Ted Dear Sandy, Hello: Letters from Ted to Sandy Berrigan. Coffee House Press, 2010.Google Scholar
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. 1973. 2nd ed., Oxford UP, 1997.Google Scholar
Bloom, Harold “The Charity of the Hard Moments.” John Ashbery: Modern Critical Views, edited by Bloom, , Chelsea House, 1985, pp. 49–80.Google Scholar
Eeckhout, Bart, and Goldfarb, Lisa. “Introduction: After Stevens.” Poetry and Poetics after Wallace Stevens, edited by Eeckhout and Goldfarb, pp. 1–11.Google Scholar
Eeckhout, Bart, and Goldfarb, Lisa editors. Poetry and Poetics after Wallace Stevens. Bloomsbury, 2017.Google Scholar
Epstein, Andrew. Attention Equals Life: The Pursuit of the Everyday in Contemporary Poetry and Culture. Oxford UP, 2016.Google Scholar
Epstein, Andrew Beautiful Enemies: Friendship and Postwar American Poetry. Oxford UP, 2006.Google Scholar
Epstein, Andrew “‘The Rhapsody of Things as They Are’: Stevens, Francis Ponge, and the Impossible Everyday.” The Wallace Stevens Journal, vol. 36, no. 1, Spring 2012, pp. 47–77.Google Scholar
Filreis, Alan. “Coda: Wallace Stevens of the New York School.” Wallace Stevens, New York, and Modernism, edited by Lisa Goldfarb and Bart Eeckhout, Routledge, 2012, pp. 163–69.Google Scholar
Filreis, Alan “Later Poets.” Wallace Stevens in Context, edited by MacLeod, pp. 120–30.Google Scholar
Filreis, Alan “The Stevens Wars.” Boundary 2, vol. 36, no. 3, Fall 2009, pp. 183–202.CrossRefGoogle Scholar
Goldfarb, Lisa, and Eeckhout, Bart. “Introduction: Back at the Waldorf?” Wallace Stevens, New York, and Modernism, edited by Goldfarb, and Eeckhout, , Routledge, 2012, pp. 1–20.Google Scholar
Golding, Alan. “The ‘Community of Elements’ in Wallace Stevens and Louis Zukofsky.” Wallace Stevens and the Poetics of Modernism, edited by Gelpi, Albert, Cambridge UP, 1985, pp. 120–40.Google Scholar
Golding, Alan From Outlaw to Classic: Canons in American Poetry. U of Wisconsin P, 1995.Google Scholar
Harvey, Giles. “Fall Preview: Poet John Ashbery Makes His Elliptical Way into Library of America.” The Village Voice, 4 Sep. 2008, www.villagevoice.com/2008/09/04/fall-preview-poet-john-ashbery-makes-his-elliptical-way-into-library-of-america/.Google Scholar
Janssen, Lesley. “Triangulating Poetics: Late Wallace Stevens and a New York School.” Modern Language Review, vol. 110, no. 4, Oct. 2015, pp. 992–1010.Google Scholar
Jarraway, David. Wallace Stevens Among Others: Diva-Dames, Deleuze, and American Culture. McGill-Queens UP, 2015.Google Scholar
Keller, Lynn. Re-Making It New: Contemporary American Poetry and the Modernist Tradition. Cambridge UP, 1987.Google Scholar
Kenner, Hugh. A Homemade World: The American Modernist Writers. Alfred A. Knopf, 1974.Google Scholar
Koch, Kenneth Making Your Own Days: The Pleasures of Reading and Writing Poetry. Simon & Schuster, 1998.Google Scholar
Ladkin, Sam. “Frank O’Hara’s Ecstatic Elegy: ‘In Memory of My Feelings’ in Memory Wallace Stevens.” Blackbox Manifold, vol. 10, 2013, pp. 1–43.Google Scholar
Lehman, David, editor. The Last Avant-Garde: The Making of the New York School of Poets. Doubleday, 1998.Google Scholar
O’Hara, Frank Standing Still and Walking in New York. Edited by Allen, Donald, Grey Fox, 1975.Google Scholar
Perloff, Marjorie “Pound/Stevens: Whose Era?” 1982. The Dance of the Intellect: Studies in the Poetry of the Pound Tradition, Northwestern UP, 1996, pp. 1–32.Google Scholar
Perloff, Marjorie “‘Pound/Stevens: Whose Era?’ Revisited.” The Wallace Stevens Journal, vol. 26, no. 2, Fall 2002, pp. 135–42.Google Scholar
Phillips, Siobhan. “Stevens and an Everyday New York School.” The Wallace Stevens Journal, vol. 36, no. 1, Spring 2012, pp. 94–104.Google Scholar
Richardson, Joan. “‘Ghostlier Demarcations, Keener Sounds’: Stevens, Susan Howe, and the Souls of the Labadie Tract.” Poetry and Poetics after Wallace Stevens, edited by Eeckhout and Goldfarb, pp. 171–82.Google Scholar
Roffman, Karin. The Songs We Know Best: John Ashbery’s Early Life. Farrar, Straus, and Giroux, 2017.Google Scholar
Schuyler, James The Diary of James Schuyler. Edited by Kernan, Nathan, Black Sparrow, 1997.Google Scholar
Schuyler, James Just the Thing: Selected Letters of James Schuyler, 1951–1991. Edited by Corbett, William, Turtle Point P, 2004.Google Scholar
Serio, John N., editor. The Cambridge Companion to Wallace Stevens. Cambridge UP, 2007.CrossRefGoogle Scholar
Silverberg, Mark. The New York School Poets and the Neo-Avant-Garde: Between Radical Art and Radical Chic. Ashgate, 2010.Google Scholar
Stevens, Wallace. Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar
Stitt, Peter A. “The Art of Poetry XXXIII: John Ashbery.” Interview. The Paris Review, no. 90, Winter 1983, pp. 30–59.Google Scholar
Ward, Geoff. Statutes of Liberty: The New York School of Poetry. St. Martin’s P, 1993.Google Scholar
Works Cited
Eeckhout, Bart. “‘And yet – and yet!’: Connections between Stevens’s Poetry and Joyce’s Ulysses.” The Wallace Stevens Journal, vol. 42, no. 2, Fall 2018, pp. 143–52.Google Scholar
Proust, Marcel. Remembrance of Things Past. Vol. 1, translated by C. K. Scott Moncrieff and Terence Kilmartin, Random House, 1982.Google Scholar
Stevens, Wallace. Letters of Wallace Stevens. Edited by Stevens, Holly, Alfred A. Knopf, 1966.Google Scholar
Stevens, Wallace Secretaries of the Moon: The Letters of Wallace Stevens and José Rodríguez Feo. Edited by Coyle, Beverly and Filreis, Alan, Duke UP, 1986.Google Scholar
Stevens, Wallace Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar
Vendler, Helen. “Wallace Stevens: Memory, Dead and Alive.” The Wallace Stevens Journal, vol. 28, no. 2, Fall 2004, pp. 247–60.Google Scholar
Works Cited
Altieri, Charles. Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Cornell UP, 2013.Google Scholar
Critchley, Simon. Things Merely Are: Philosophy in the Poetry of Wallace Stevens. Routledge, 2005.Google Scholar
Stevens, Holly. Souvenirs and Prophecies: The Young Wallace Stevens. Alfred A. Knopf, 1977.Google Scholar
Stevens, Wallace. Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar
Works Cited
Bates, Jennifer. “Stevens, Hegel, and the Palm at the End of the Mind.” The Wallace Stevens Journal, vol. 23, no. 2, Fall 1999, pp. 152–66.Google Scholar
Critchley, Simon. Things Merely Are: Philosophy in the Poetry of Wallace Stevens. Routledge, 2005.Google Scholar
Eyers, Tom. “Alain Badiou, Wallace Stevens and the Paradoxical Productivity of Poetic Form.” Textual Practice, vol. 30, no. 5, 2016, pp. 835–55.Google Scholar
Lacan, Jacques. Séminaire 1961–62: L’Identification. Unpublished transcript.Google Scholar
Stevens, Wallace. Letters of Wallace Stevens. Edited by Stevens, Holly, U of California P, 1996.Google Scholar
Stevens, Wallace The Palm at the End of the Mind: Selected Poems and a Play by Wallace Stevens. Edited by Stevens, Holly, Alfred A. Knopf, 1971.Google Scholar
Stevens, Wallace Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar
Yeats, W. B. The Collected Poems of W. B. Yeats. Edited by Finneran, Richard J., Simon & Schuster, 1996.Google Scholar
Works Cited
Adams, Henry. Henry Adams: Novels, Mont Saint Michel, The Education. Edited by Samuels, Jayne and Samuels, Ernest, Library of America, 1983.Google Scholar
Agamben, Giorgio. The End of the Poem: Studies in Poetics. Translated by Daniel Heller-Roazen, Stanford UP, 1999.Google Scholar
Berthoff, Warner. The Ferment of Realism: American Literature, 1884–1919. Free P, 1965.Google Scholar
Brazeau, Peter. Parts of a World: Wallace Stevens Remembered; An Oral Biography. Random House, 1983.Google Scholar
Brogan, Jacqueline V., editor. Stevens and Structures of Sound. Special issue of The Wallace Stevens Journal, vol. 15, no. 2, Fall 1991, pp. 107–241.Google Scholar
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice, Harvard UP, 1984.Google Scholar
Deleuze, Gilles. The Fold: Leibniz and the Baroque. Translated by Tom Conley, U of Minnesota P, 1993.Google Scholar
Doyle, Charles, editor. Wallace Stevens: The Critical Heritage. Routledge & Kegan Paul, 1985.Google Scholar
Feinsod, Harris. The Poetry of the Americas: From Good Neighbors to Countercultures. Oxford UP, 2017.Google Scholar
Filreis, Alan. “Sound at an Impasse.” The Wallace Stevens Journal, vol. 33, no. 1, Spring 2009, pp. 15–23.Google Scholar
Finch, D. Zachary. “‘He That of Repetition Is Most Master’: Stevens and the Poetics of Mannerism.” The Wallace Stevens Journal, vol. 36, no. 2, Fall 2012, pp. 194–205.Google Scholar
Galvin, Rachel. “‘This Song Is for My Foe’: Olive Senior and Terrance Hayes Rewrite Stevens.” Poetry and Poetics after Wallace Stevens, edited by Eeckhout, Bart and Goldfarb, Lisa, Bloomsbury, 2017, pp. 229–43.Google Scholar
Gerber, Natalie. Introduction. Wallace Stevens and “The Less Legible Meanings of Sounds,” edited by Gerber, special issue of The Wallace Stevens Journal, vol. 33, no. 1, Spring 2009, pp. 3–14.Google Scholar
James, Henry. Henry James on Culture: Collected Essays on Politics and the American Social Scene. Edited by Walker, Pierre A., U of Nebraska P, 1999.Google Scholar
Spicer, Jack. The House That Jack Built: The Collected Lectures of Jack Spicer. Edited by Gizzi, Peter, UP of New England, 1998.Google Scholar
Steinman, Lisa M. “Unanticipated Readers.” Poetry and Poetics after Wallace Stevens, edited by Eeckhout, Bart and Goldfarb, Lisa, Bloomsbury, 2017, pp. 217–28.Google Scholar
Stevens, Wallace. Letters of Wallace Stevens. Edited by Stevens, Holly, U of California P, 1996.Google Scholar
Stevens, Wallace Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar
Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. Macmillan, 1950.Google Scholar
Vasari, Giorgio. “Preface to the Third Part.” Readings in Italian Mannerism, edited by Cheney, Liana De Girolami, Peter Lang, 2004, pp. 27–34.Google Scholar
Works cited
Cole, Rachel. “Rethinking the Value of Lyric Closure: Giorgio Agamben, Wallace Stevens, and the Ethics of Satisfaction.” PMLA, vol. 126, no. 2, March 2011, pp. 383–97.Google Scholar
Rovelli, Carlo. The Order of Time. Translated by Erica Segre and Simon Carnell, Penguin, 2018.Google Scholar
Stevens, Wallace. Wallace Stevens: Collected Poetry and Prose. Edited by Kermode, Frank and Richardson, Joan, Library of America, 1997.Google Scholar