In the last ten years, as nineteenth-century Americanists have turned their attention to disability as an analytical category for their own field, they have used and developed new tools and modes of analysis to map a much more complex disability landscape. In this chapter, I turn to Harriet Wilson’s Our Nig (1859) to ask what a fictionalized autobiography written from the experience of a disabled Black woman can show us about the complexity and limitations of our critical understandings of disability in the period. Whereas we have been trained to look for disability in nineteenth-century American literature as represented flatly and relegated to the margins, Wilson keeps disability at the center of her narrative. Such a reading employs the method of historical cripistemology – that is, it begins from the experiences and knowledge of disabled people in the past – here, Harriet Wilson’s – to reframe our understanding of literature and culture. In Our Nig, Wilson uses her own experience to break with familiar Black and white forms for narrating disability in the antebellum period. Taking up Our Nig from this perspective demonstrates how careful attention to disability in nineteenth-century American literature and culture – particularly literature written by disabled people – can help us recover the broader scope and greater variety of disability representation in the period, as well as its import for helping us reenvision how we read literature in the period more broadly.