Our contemporary moment sees a new impetus toward commemoration, fueled by the government-sponsored “Decade of Centenaries” program, spanning the years 1912–1922, from the centenary of the Ulster Covenant to the Irish Civil War. From the diverse cultural initiatives that have resulted to date, an imperative to expose and question what is memorialized, or what has been allowed to be of public matter, is already proving to be the most powerful feature of this commemorative decade. What has also become evident is the importance of new technologies and new modes of communication that look backward and forward: They invite new ways of thinking about the past that are already proving to be transformative in the present. Central to these activities is the development of new audiences and networks for the reception of Irish culture and, as this chapter also demonstrates, many offer the individual artist and their works a newly invigorated public role.