This chapter surveys recent Irish works by migrant artists including theatre company Outlandish Theatre (OT) Platform, novelists Ifedinma Dimbo and Ebun Joseph, filmmaker Jijo Sebastian, poet/activist Christiana Obaro, and visual artist Vukasin Nedeljkovic. As an ensemble, these artists thematically rehearse similar terrain: the hyper in/visibility of racialized female migrants, the abuses experienced by those seeking asylum, gendered inequality and violence against and within migrant communities. This chapter focuses attention not only on the works themselves but on a few recurring contexts through which significant migrant arts practice has emerged. These include collaborative arts practices that pair professional and nonprofessional collaborators, self-publishing, and activist work – all contexts that present challenges for the work gaining critical traction due to the work’s perceived lack of professionalism.