Book contents
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- 1.1 The Age of Devotion
- 1.2 The Baroque Age
- 1.3 The Age of Classicism
- 1.4 Sentimentalism and Romanticism
- 1.5 The Natural School and Realism
- 1.6 Symbolism and the Fin de Siècle
- 1.7 Modernism and the Avant-Garde
- 1.8 Socialist Realism
- 1.9 Postmodernism
- 1.10 Contemporary Movements
- Boxes 1 Close Readings
- Boxes 2 Genres
- History 2 Mechanisms
- History 3 Forms
- History 4 Heroes
- Index
Boxes 2 - Genres
from History 1 - Movements
Published online by Cambridge University Press: 31 December 2024
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- 1.1 The Age of Devotion
- 1.2 The Baroque Age
- 1.3 The Age of Classicism
- 1.4 Sentimentalism and Romanticism
- 1.5 The Natural School and Realism
- 1.6 Symbolism and the Fin de Siècle
- 1.7 Modernism and the Avant-Garde
- 1.8 Socialist Realism
- 1.9 Postmodernism
- 1.10 Contemporary Movements
- Boxes 1 Close Readings
- Boxes 2 Genres
- History 2 Mechanisms
- History 3 Forms
- History 4 Heroes
- Index
Summary
Walking down an aisle of a Russian bookstore or library, one sees numerous books with the title Rasskazy i povesti. This common title for an author’s collected works is difficult to translate: it could be ‘short stories and short novels’ or ‘short and long stories’. As these awkward pairings show, the povest' occupies the space between the short story and the novel, both in length and in the scope of its engagement with its subject.
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- The New Cambridge History of Russian Literature , pp. 212 - 224Publisher: Cambridge University PressPrint publication year: 2024