Book contents
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- History 2 Mechanisms
- 2.1 The Monastery
- 2.2 The Court
- 2.3 The Salon and the Circle
- 2.4 The Thick Journal
- 2.5 The Publisher
- 2.6 Queerness
- 2.7 The Censor
- 2.8 The Voice
- 2.9 The Self-Publisher
- 2.10 The Market
- 2.11 The Internet
- 2.12 Empire
- Boxes 3 Places
- Boxes 4 Narrative Voices
- History 3 Forms
- History 4 Heroes
- Index
- References
2.12 - Empire
from History 2 - Mechanisms
Published online by Cambridge University Press: 31 December 2024
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- History 2 Mechanisms
- 2.1 The Monastery
- 2.2 The Court
- 2.3 The Salon and the Circle
- 2.4 The Thick Journal
- 2.5 The Publisher
- 2.6 Queerness
- 2.7 The Censor
- 2.8 The Voice
- 2.9 The Self-Publisher
- 2.10 The Market
- 2.11 The Internet
- 2.12 Empire
- Boxes 3 Places
- Boxes 4 Narrative Voices
- History 3 Forms
- History 4 Heroes
- Index
- References
Summary
This chapter outlines the role of empire in shaping Russian literature from the mid-seventeenth century onwards. It traces the persistent literary impact of empire using the concept of imperiality, developed by analogy with coloniality, which decolonial theory describes as a sociopolitical and cognitive framework that endures beyond the times of colonialism. The chapter highlights the impact of empire on eighteenth-century Neoclassical poetry and on literature of the Romantic era. It then explores the enduring presence of empire in later periods, including Realist and early Modernist writing, as Russia’s colonial practices combined with a self-image as a magnificent and much-put-upon nation state. Finally, it presents the Soviet-era cultural system of the ‘friendship of the peoples’ as a reimagined imperiality and concludes with an in-depth discussion of critical reflections on imperial legacies by post-Soviet authors such as Viktor Pelevin, Vladimir Sorokin, and Liudmila Ulitskaia.
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- The New Cambridge History of Russian Literature , pp. 423 - 440Publisher: Cambridge University PressPrint publication year: 2024