Book contents
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- 1.1 The Age of Devotion
- 1.2 The Baroque Age
- 1.3 The Age of Classicism
- 1.4 Sentimentalism and Romanticism
- 1.5 The Natural School and Realism
- 1.6 Symbolism and the Fin de Siècle
- 1.7 Modernism and the Avant-Garde
- 1.8 Socialist Realism
- 1.9 Postmodernism
- 1.10 Contemporary Movements
- Boxes 1 Close Readings
- Boxes 2 Genres
- History 2 Mechanisms
- History 3 Forms
- History 4 Heroes
- Index
Boxes 1 - Close Readings
from History 1 - Movements
Published online by Cambridge University Press: 31 December 2024
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- 1.1 The Age of Devotion
- 1.2 The Baroque Age
- 1.3 The Age of Classicism
- 1.4 Sentimentalism and Romanticism
- 1.5 The Natural School and Realism
- 1.6 Symbolism and the Fin de Siècle
- 1.7 Modernism and the Avant-Garde
- 1.8 Socialist Realism
- 1.9 Postmodernism
- 1.10 Contemporary Movements
- Boxes 1 Close Readings
- Boxes 2 Genres
- History 2 Mechanisms
- History 3 Forms
- History 4 Heroes
- Index
Summary
Aleksandr Pushkin (1799–1837) was a poet firmly embedded in tradition, not a radical innovator but always aware of his predecessors and alert to ways of adapting and improving the models they provided. The exception that proves the rule is the Onegin stanza, the only instance in all of Pushkin’s oeuvre where he created his own stanzaic form. He did so for his unprecedented ‘novel in verse’ Eugene Onegin (Evgenii Onegin), widely considered the cornerstone of the Russian literary tradition. Composed from 1823 to 1831 and published serially between 1825 and 1832, the work is marked by sudden shifts in theme, character, setting, and mood.
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- Information
- The New Cambridge History of Russian Literature , pp. 198 - 211Publisher: Cambridge University PressPrint publication year: 2024