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1.3 - The Age of Classicism

from History 1 - Movements

Published online by Cambridge University Press:  31 December 2024

Simon Franklin
Affiliation:
University of Cambridge
Rebecca Reich
Affiliation:
University of Cambridge
Emma Widdis
Affiliation:
University of Cambridge
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Summary

This chapter describes the process whereby modern Russian literature came into being and entered the western European cultural mainstream in the eighteenth century. The period witnessed the creation of a modern vernacular Russian literary language and saw the development of the basic features of a modern literature with its literary and institutional infrastructure. The term ‘Classicism’ came into use in the 1820s as a retroactive label that disparaged the previous century’s literature as hopelessly rule-bound and obsolete, but this hardly corresponds to its complex, dynamic, and in fact intensely creative character. The chapter surveys the period through the lens of the modern literary language, with a focus on the creation of the so-called ‘Slaveno-Russian cultural and linguistic synthesis’ of mid-century that resolved the problem of the Baroque heritage and fundamentally shaped the literary practice of the age.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Drage, C. L., Russian Literature in the Eighteenth Century: The Solemn Ode, the Epic, Other Poetic Genres, the Story, the Novel, Drama (London: C. L. Drage, 1978).Google Scholar
Levitt, Marcus C. (ed.), Early Modern Russian Writers, Late Seventeenth and Eighteenth Centuries, Dictionary of Literary Biography 150 (Detroit: Gale Research, 1995).Google Scholar
Lotman, Iu. M., ‘Ocherki po istorii russkoi kul'tury XVIII veka’ [Essays on the history of eighteenth-century Russian culture], in Iz istorii russkoi kul'tury [From the history of Russian culture], 5 vols. (Moscow: Shkola Iazyki russkoi kul'tury, 1996–2002), vol. IV, pp. 13346.Google Scholar
Marker, Gary, Publishing, Printing, and the Origins of Intellectual Life in Russia, 1700–1800 (Princeton: Princeton University Press, 2016).Google Scholar
Ospovat, Kirill, Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia (Boston: Academic Studies Press, 2016).Google Scholar
Proskurina, Vera, Creating the Empress: Politics and Poetry in the Age of Catherine II (Boston: Academic Studies Press, 2011).CrossRefGoogle Scholar
Ram, Harsha, The Imperial Sublime: A Russian Poetics of Empire (Madison: University of Wisconsin Press, 2003).Google Scholar
Wirtschafter, Elise Kimerling, The Play of Ideas in Russian Enlightenment Theater (DeKalb: Northern Illinois University Press, 2003).Google Scholar

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