Chapter 11 reappraises the peace conceptions and reordering strategies of Lloyd George and the other architects of the British agenda for the Paris Peace Conference. It argues that what they envisaged centred, not on containing Germany and re-establishing a workable balance of power but rather on the novel aim to create, in cooperation with the United States, a new Atlantic concert that was to stabilise a modern international equilibrium within a recast global order. It illuminates the underlying assumptions and rationales of what became an ambitious British peace programme, which included the most elaborate and influential blueprints for a League of Nations as framework for a novel, and integrative, international concert. And it highlights that British approaches to peacemaking, which were also designed to bolster the British Empire and expand British imperial influence in the Middle East, evolved and changed significantly between the armistice and Versailles as well. Finally, it analyses the extent to which Lloyd George and other key actors like Robert Cecil and Jan Christiaan Smuts had embarked on constructive learning processes – and the extent to which their evolving concepts and strategies were conducive to the creation of a durable and legitimate Atlantic and global order.