In “Narrating Nature,” Erin James considers how modern literature and theory grapple with the broader timescales, planetary conceptions of space, and inhuman perspectives that representations of climate change demand. Focusing on the “unnatural nature” of climate change, James undertakes a narratological analysis two recent “cli-fi” novels, Kim Stanley Robinson’s New York 2140 and Cherie Dimaline’s The Marrow Thieves. Maintaining a pedagogical emphasis, the chapter foregrounds strategies teachers can use to help students understand and write about climate change. The chapter ultimately considers how narrative can both perpetuate and subvert dominant ideologies about nature and how changing nature is changing the texture of modern narratives.