This chapter examines how and when British government officials considered the nation’s reputation and international standing in decisions about whether to censor literature or theatrical performances. In the early twentieth century, officials in the Home and Lord Chamberlain’s Offices, among others, were eager to appear rational to their Parisian counterparts in the hope that French officials would increase efforts to suppress obscene publications. Simultaneously, British administrators expressed disapproval of American censors, whom they viewed as unduly prudish. As the century wore on, the Americans would outpace British censors in their toleration of obscene materials, and an increasing number of British citizens came to view their government’s response to texts like Lady Chatterley’s Lover as benighted and paternalistic. The chapter argues that British censorship was not a strictly national activity but rather took place within the larger framework of international relations and a pursuit of global prestige.