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Music in Context

Published online by Cambridge University Press:  23 May 2024

Björn Heile
Björn Heile
Affiliation:
University of Glasgow
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Musical Modernism in Global Perspective
Entangled Histories on a Shared Planet
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2024

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References

Books in the Series

Keefe, Simon P., Mozart’s Requiem: Reception, Work, CompletionCrossRefGoogle Scholar
Harper-Scott, J. P. E., The Quilting Points of Musical Modernism: Revolution, Reaction, and William WaltonCrossRefGoogle Scholar
November, Nancy, Beethoven’s Theatrical Quartets: Opp. 59, 74, and 95CrossRefGoogle Scholar
Hallmark, Rufus, ‘Frauenliebe und Leben’: Chamisso’s Poems and Schumann’s SongsGoogle Scholar
Zayaruznaya, Anna, The Monstrous New Art: Divided Forms in the Late Medieval MotetCrossRefGoogle Scholar
Deeming, Helen and Leach, Elizabeth Eva, Manuscripts and Medieval Song: Inscription, Performance, ContextCrossRefGoogle Scholar
Kilpatrick, Emily, The Operas of Maurice RavelCrossRefGoogle Scholar
Chadwick, Roderick and Peter Hill, Olivier Messiaen’s Catalogue d’oiseaux: From Conception to PerformanceGoogle Scholar
Bradley, Catherine A., Polyphony in Medieval Paris: The Art of Composing with PlainchantCrossRefGoogle Scholar
Grimley, Daniel M., Delius and the Sound of PlaceCrossRefGoogle Scholar
Rees, Owen, The Requiem of Tomás Luis de Victoria (1603)CrossRefGoogle Scholar
Grimes, Nicole, Brahms’s Elegies: The Poetics of Loss in Nineteenth-Century German CultureCrossRefGoogle Scholar
Hatter, Jane D., Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and PracticeCrossRefGoogle Scholar
Elphick, Daniel, Music behind the Iron Curtain: Weinberg and His Polish ContemporariesCrossRefGoogle Scholar
MacGregor, Emily, Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933CrossRefGoogle Scholar
Hyland, Anne M., Schubert’s String Quartets: The Teleology of Lyric FormCrossRefGoogle Scholar
Rodgers, Stephen, The Songs of Clara SchumannCrossRefGoogle Scholar
Forkert, Annika, Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century MusicCrossRefGoogle Scholar
Giles, Roseen, Monteverdi and the Marvellous: Poetry, Sound, and RepresentationCrossRefGoogle Scholar
Reuland, Jamie L., Music and the Making of Medieval VeniceCrossRefGoogle Scholar
Heile, Björn, Musical Modernism in Global Perspective: Entangled Histories on a Shared PlanetGoogle Scholar

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