Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Music, Indigeneity, Digital Media: An Introduction
- 1 Taiwan's Aboriginal Music on the Internet
- 2 Recording Technology, Traditioning, and Urban American Indian Powwow Performance
- 3 YouTubing the “Other”: Lima's Upper Classes and Andean Imaginaries
- 4 An Interview with Russell Wallace
- 5 Mixing It Up: A Comparative Approach to Sámi Audio Production
- 6 Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production
- 7 Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia)
- 8 The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media
- Selected Bibliography
- List of Contributors
- Index
Selected Bibliography
Published online by Cambridge University Press: 26 April 2018
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Music, Indigeneity, Digital Media: An Introduction
- 1 Taiwan's Aboriginal Music on the Internet
- 2 Recording Technology, Traditioning, and Urban American Indian Powwow Performance
- 3 YouTubing the “Other”: Lima's Upper Classes and Andean Imaginaries
- 4 An Interview with Russell Wallace
- 5 Mixing It Up: A Comparative Approach to Sámi Audio Production
- 6 Creative Pragmatism: Competency and Aesthetics in Bolivian Indigenous Music Video (VCD) Production
- 7 Keepsakes and Surrogates: Hijacking Music Technology at Wadeye (Northwest Australia)
- 8 The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media
- Selected Bibliography
- List of Contributors
- Index
Summary
- Type
- Chapter
- Information
- Music, Indigeneity, Digital Media , pp. 205 - 214Publisher: Boydell & BrewerPrint publication year: 2017