Book contents
- Music and the Benefit Performance in Eighteenth-Century Britain
- Music and the Benefit Performance in Eighteenth-Century Britain
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I Musical Benefits in the London Theatre: Networks and Repertories
- Part II Beyond London: Mimicry or Originality?
- Part III Benefits and Public Image
- Part IV Charity Benefits
- Part V The Role of the Audience
- Select Bibliography
- Index of Musical Works
- General Index
Part V - The Role of the Audience
Published online by Cambridge University Press: 30 October 2019
- Music and the Benefit Performance in Eighteenth-Century Britain
- Music and the Benefit Performance in Eighteenth-Century Britain
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Acknowledgements
- Abbreviations
- Introduction
- Part I Musical Benefits in the London Theatre: Networks and Repertories
- Part II Beyond London: Mimicry or Originality?
- Part III Benefits and Public Image
- Part IV Charity Benefits
- Part V The Role of the Audience
- Select Bibliography
- Index of Musical Works
- General Index
Summary
- Type
- Chapter
- Information
- Music and the Benefit Performance in Eighteenth-Century Britain , pp. 221 - 264Publisher: Cambridge University PressPrint publication year: 2019