Book contents
- Music and Musicians at the Collegiate Church of St Omer
- Frontispiece
- Music and Musicians at the Collegiate Church of St Omer
- Copyright page
- Epigraph
- Contents
- Figures and Map
- Acknowledgements
- Note on Editorial Policy, Currency and Dates
- Prologue
- 1 The Maîtrise
- 2 Identities and Career Patterns
- 3 Masters and Master Singers
- 4 The Organs
- 5 The Bells
- 6 Loose Canons? Music and the Craft of Ecclesiastical Power
- Epilogue
- Appendix Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys (See )
- Bibliography
- Index
Prologue
Saint-Omer and the Growth of Urban Power
Published online by Cambridge University Press: 31 August 2020
- Music and Musicians at the Collegiate Church of St Omer
- Frontispiece
- Music and Musicians at the Collegiate Church of St Omer
- Copyright page
- Epigraph
- Contents
- Figures and Map
- Acknowledgements
- Note on Editorial Policy, Currency and Dates
- Prologue
- 1 The Maîtrise
- 2 Identities and Career Patterns
- 3 Masters and Master Singers
- 4 The Organs
- 5 The Bells
- 6 Loose Canons? Music and the Craft of Ecclesiastical Power
- Epilogue
- Appendix Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys (See )
- Bibliography
- Index
Summary
This first chapter introduces the primary source materials that make historical study of an institution possible, going on to sketch the patterns and ranks of employment - from choirboy, through chaplain, vicar, canon, dean and provost - that shape the functions of a collegiate church such as St Omer. It goes on paint a picture of the history and development of the town of Saint-Omer – its geography, population, politics and trade – to give a larger social and historical context to the story of the large collegiate church which constitutes the rest of the book.
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- Music and Musicians at the Collegiate Church of St OmerCrucible of Song, 1350–1550, pp. 1 - 21Publisher: Cambridge University PressPrint publication year: 2020