Book contents
- Frontmatter
- Contents
- List of illustrations
- Preface
- 1 The eighteenth-century clarinet and its music
- 2 Mozart, Stadler and the clarinet
- 3 The genesis and reception of the Concerto
- 4 Stadler's clarinet and its revival
- 5 Mozart's original text
- 6 Design and structure
- 7 Performance practice
- Appendix 1 A review of the Breitkopf and Härtel edition in the Leipzig Allgemeine Musikalische Zeitung, 4 (March 1802)
- Appendix 2 Surviving instruments
- Appendix 3 A list of works composed by Mozart's clarinettist, Anton Stadler
- Notes
- Select bibliography
- Index
Book contents
- Frontmatter
- Contents
- List of illustrations
- Preface
- 1 The eighteenth-century clarinet and its music
- 2 Mozart, Stadler and the clarinet
- 3 The genesis and reception of the Concerto
- 4 Stadler's clarinet and its revival
- 5 Mozart's original text
- 6 Design and structure
- 7 Performance practice
- Appendix 1 A review of the Breitkopf and Härtel edition in the Leipzig Allgemeine Musikalische Zeitung, 4 (March 1802)
- Appendix 2 Surviving instruments
- Appendix 3 A list of works composed by Mozart's clarinettist, Anton Stadler
- Notes
- Select bibliography
- Index
- Type
- Chapter
- Information
- Mozart: Clarinet Concerto , pp. 105 - 111Publisher: Cambridge University PressPrint publication year: 1996