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Music in Context

Published online by Cambridge University Press:  10 October 2023

Roseen Giles
Roseen Giles
Affiliation:
Duke University, North Carolina
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Monteverdi and the Marvellous
Poetry, Sound, and Representation
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2023

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References

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Keefe, Simon P., Mozart’s Requiem: Reception, Work, CompletionCrossRefGoogle Scholar
Harper-Scott, J. P. E., The Quilting Points of Musical Modernism: Revolution, Reaction, and William WaltonGoogle Scholar
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Zayaruznaya, Anna, The Monstrous New Art: Divided Forms in the Late Medieval MotetGoogle Scholar
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Chadwick, Roderick and Hill, Peter, Olivier Messiaen‘s Catalogue d‘oiseaux: From Conception to PerformanceGoogle Scholar
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Hatter, Jane D., Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and PracticeGoogle Scholar
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Hyland, Anne M., Schubert‘s String Quartets: The Teleology of Lyric FormGoogle Scholar
Rodgers, Stephen, The Songs of Clara SchumannCrossRefGoogle Scholar
Forkert, Annika, Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century MusicGoogle Scholar
Giles, Roseen, Monteverdi and the Marvellous: Poetry, Sound, and RepresentationCrossRefGoogle Scholar

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