Molière’s life and works offer numerous parallels with the commedia dell’artie, which goes some way towards explaining the profound singularity of his plays and scenic practices in the context of seventeenth-century French theatre. For roughly fifteen years, Molière rubbed shoulders with the Italians and undertook various adaptations of original works derived from the commedia dell’arte, as is demonstrated by several of his plays that are based on famous soggetti. Molière also borrowed a number of his characters from the commédia dell’arte, reproducing both their names and their behaviour. The similarities are not only textual but also in his acting style: physical and verbal virtuosity, and above all the use of facial expressions to demonstrate his characters’ emotions. Molière’s plays were constructed around such lazzi, which gave him a certain flexibility in the elaboration of his shows. Finally, it is in his qualities as an author, actor and company leader, and also in his way of practising theatrical activity as a true entrepreneur that Molière can be seen to have been influenced by the commedia dell’arte more generally.