Published online by Cambridge University Press: 28 May 2012
THE BACKGROUND
The Nahḍah
Compared with earlier periods of Arabic literature the Modern period, often referred to in Arabic as al-Nahḍah (= renaissance), requires an approach that is at once simpler and more complicated. While Classical Arabic literature can safely be regarded as fundamentally a continuum, Modern literature constitutes in certain important respects an entirely new departure, even though its break with the Classical has sometimes been exaggerated, for despite its borrowing of European forms such as drama and the novel, Modern literature never really completely severed its link with its past. The Nahḍah was in fact a product of a fruitful meeting of two forces: the indigenous tradition, and the imported western forms. Moreover, the change from the past was an extremely slow and gradual process. However, because of the profound influence exercised by western literature on the Nahḍah, it seems more natural to divide its treatment into chapters on poetry, the novel, short story, drama and literary criticism, much as one might do in a traditional survey of a western literature. But it would be wrong to be blind to the continuities in Arabic literature, Classical and Modern: continuities that have determined the manner of the Arabs' apprehension and hence adaptation of the imported genres.
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