Published online by Cambridge University Press: 25 March 2020
I’d like to begin by asking you to think back to the 2012 Olympic Games. This was an event that I’ve come increasingly to see as the high-water mark of a phase in Britain’s attitudes towards migration, integration, race, and identity. It was a vast, very expensive, very lavish – wonderful in my view – pageant directed by Danny Boyle. It was a celebration of British culture and British creativity. Like all Olympic ceremonies, it was designed to try to say something about the nation to whom the Olympic torch had just been passed.
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