IN THE 1860s the composer Charlotte Alington Barnard (1830–69) wrote to Ann Margaretta Higford Burr (1817–92) thanking her for her invitation and regretting that she would be unable to visit due to prior engagements. She adds, “We have spent a very cheerful Christmas this year as the Yarboroughs entertained for three weeks and it was delightfully like the old fashioned Christmas wh: so few keep up now.” Barnard says nothing more on the subject, but the assumption is that Mrs Burr will agree that the celebration of Christmas is in decline.

The notion that Christmas celebration was on the wane in the 1860s is significant since over the course of the nineteenth century, multiple attempts had been made to revive the “old Fashioned Christmas.” In Washington Irving's Sketch-Book and “Bracebridge Hall” stories written around 1820 but reprinted in many forms, Christmas traditions are depicted as fading away. The sketches that open the second volume depict the dying traditions of the English Christmas season, which enhance the American visitor Geoffrey Crayon's feeling that in “those honest days of yore … the world was more homebred, social, and joyous than at present.” Those residing in the English countryside were, says Crayon, “in former days, particularly observant of the religious and social rites of Christmas” that seemed:

Although Crayon is vague as to when these times might have been, references to Gothic and baronial halls and harps suggest that he is memorializing not just the past of a century ago, but the Middle Ages. “Christmas” further notes that “traditionary customs of golden-hearted antiquity, its feudal hospitality and lordly wassailings” have passed away.

Later editions of Irving's collected sketches are dedicated to Sir Walter Scott, probably in recognition of Scott's role in uncovering traditions, but perhaps partly because of the lament of the decline of Christmas in Marmion, a passage quoted by almost every antiquarian of the period.