Book contents
- Frontmatter
- Contents
- Illustrations
- Tables
- Contributors
- Preface
- 1 Behind the Curtains, Under the Covers, Inside the Tent: Textile Items and Narrative Strategies in Anglo-Saxon Old Testament Art
- 2 Some Medieval Colour Terms for Textiles
- 3 Wefts and Worms: The Spread of Sericulture and Silk Weaving in the West before 1300
- 4 The Liturgical Vestments of Castel Sant’Elia: Their Historical Significance and Current Condition
- 5 Clothing Distrained for Debt in the Court of Merchants of Lucca in the Late Fourteenth Century
- 6 Sacred or Profane? The Horned Headdresses of St. Frideswide’s Priory
- 7 “Translating” a Queen: Material Culture and the Creation of Margaret Tudor as Queen of Scots
- 8 “A formidable undertaking”: Mrs. A. G. I. Christie and English Medieval Embroidery
- Recent Books of Interest
- Contents of Previous Volumes
Contents of Previous Volumes
Published online by Cambridge University Press: 14 February 2023
Book contents
- Frontmatter
- Contents
- Illustrations
- Tables
- Contributors
- Preface
- 1 Behind the Curtains, Under the Covers, Inside the Tent: Textile Items and Narrative Strategies in Anglo-Saxon Old Testament Art
- 2 Some Medieval Colour Terms for Textiles
- 3 Wefts and Worms: The Spread of Sericulture and Silk Weaving in the West before 1300
- 4 The Liturgical Vestments of Castel Sant’Elia: Their Historical Significance and Current Condition
- 5 Clothing Distrained for Debt in the Court of Merchants of Lucca in the Late Fourteenth Century
- 6 Sacred or Profane? The Horned Headdresses of St. Frideswide’s Priory
- 7 “Translating” a Queen: Material Culture and the Creation of Margaret Tudor as Queen of Scots
- 8 “A formidable undertaking”: Mrs. A. G. I. Christie and English Medieval Embroidery
- Recent Books of Interest
- Contents of Previous Volumes
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- Medieval Clothing and Textiles 10 , pp. 201 - 205Publisher: Boydell & BrewerPrint publication year: 2014