Book contents
- Mark Twain in Context
- Mark Twain in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- Abbreviations
- Part I Life
- Part II Literary Contexts
- Chapter 5 Southwestern Humor
- Chapter 6 Literary Comedians
- Chapter 7 Local Color and Regionalism
- Chapter 8 Early Periodical Writing
- Chapter 9 Travel Writing
- Chapter 10 Short Fiction
- Chapter 11 Publishing
- Chapter 12 Lectures and Speeches
- Chapter 13 Contemporary Writers
- Chapter 14 Realism and Naturalism
- Part III Historical and Cultural Contexts
- Part IV Reception and Criticism
- Part V Historical, Creative, and Cultural Legacies
- Further Reading
- Index
- References
Chapter 10 - Short Fiction
from Part II - Literary Contexts
Published online by Cambridge University Press: 12 December 2019
- Mark Twain in Context
- Mark Twain in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- Abbreviations
- Part I Life
- Part II Literary Contexts
- Chapter 5 Southwestern Humor
- Chapter 6 Literary Comedians
- Chapter 7 Local Color and Regionalism
- Chapter 8 Early Periodical Writing
- Chapter 9 Travel Writing
- Chapter 10 Short Fiction
- Chapter 11 Publishing
- Chapter 12 Lectures and Speeches
- Chapter 13 Contemporary Writers
- Chapter 14 Realism and Naturalism
- Part III Historical and Cultural Contexts
- Part IV Reception and Criticism
- Part V Historical, Creative, and Cultural Legacies
- Further Reading
- Index
- References
Summary
Throughout his career, Mark Twain wrote short fiction, from short comic sketches to longer short stories. His first big national success came in 1865 with “The Celebrated Jumping Frog of Calaveras County,” which he revised several times over the next decade. His short fiction is most often humorous, often satiric, and often burlesques of established genres. But he also tackled serious topics like racism. He published his short fiction in magazines like The Atlantic, then collected most of them in books. In his later years, his short fiction took on a more bitter tone, such as “The Man That Corrupted Hadleyburg.” Twain was writing in a period when the short story became fully developed in American writing, and he was part of that trend.
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- Mark Twain in Context , pp. 100 - 108Publisher: Cambridge University PressPrint publication year: 2020