Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Participative Public, Passive Private?
- 1 Colonial Theater, Privileged Audiences
- 2 Drama in Early Republic Audiences
- 3 The B'Hoys in Jacksonian Theaters
- 4 Knowledge and the Decline of Audience Sovereignty
- 5 Matinee Ladies: Re-gendering Theater Audiences
- 6 Blackface, Whiteface
- 7 Variety, Liquor, and Lust
- 8 Vaudeville, Incorporated
- 9 “Legitimate” and “Illegitimate” Theater around the Turn of the Century
- 10 The Celluloid Stage: Nickelodeon Audiences
- 11 Storefronts to Theaters: Seeking the Middle Class
- 12 Voices from the Ether: Early Radio Listening
- 13 Radio Cabinets and Network Chains
- 14 Rural Radio: “We Are Seldom Lonely Anymore”
- 15 Fears and Dreams: Public Discourses about Radio
- 16 The Electronic Cyclops: Fifties Television
- 17 A TV in Every Home: Television “Effects”
- 18 Home Video: Viewer Autonomy?
- 19 Conclusion: From Effects to Resistance and Beyond
- Appendix: Availability, Affordability, Admission Price
- Notes
- Selected Bibliography
- Index
- Plate section
14 - Rural Radio: “We Are Seldom Lonely Anymore”
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Participative Public, Passive Private?
- 1 Colonial Theater, Privileged Audiences
- 2 Drama in Early Republic Audiences
- 3 The B'Hoys in Jacksonian Theaters
- 4 Knowledge and the Decline of Audience Sovereignty
- 5 Matinee Ladies: Re-gendering Theater Audiences
- 6 Blackface, Whiteface
- 7 Variety, Liquor, and Lust
- 8 Vaudeville, Incorporated
- 9 “Legitimate” and “Illegitimate” Theater around the Turn of the Century
- 10 The Celluloid Stage: Nickelodeon Audiences
- 11 Storefronts to Theaters: Seeking the Middle Class
- 12 Voices from the Ether: Early Radio Listening
- 13 Radio Cabinets and Network Chains
- 14 Rural Radio: “We Are Seldom Lonely Anymore”
- 15 Fears and Dreams: Public Discourses about Radio
- 16 The Electronic Cyclops: Fifties Television
- 17 A TV in Every Home: Television “Effects”
- 18 Home Video: Viewer Autonomy?
- 19 Conclusion: From Effects to Resistance and Beyond
- Appendix: Availability, Affordability, Admission Price
- Notes
- Selected Bibliography
- Index
- Plate section
Summary
Radio had a dramatic impact on rural life. The United States was a rural nation when radio broadcasting began. In 1920, 49 percent of Americans lived in rural areas; in 1940, 43 percent were still living in rural areas. Before radio, few rural people had daily contact with the “outside world.” Most had no telephone or newspaper. News mostly came from neighbors and mail. They did not have daily weather forecasts that would enable them to prepare their crops and animals for a frost or storms. They sold their crops with no knowledge of current prices on commodities markets, the prices at which the buyer could sell them. In bad weather they were often isolated even from their neighbors. Paved roads were rare; dirt roads turned into muddy quagmires whenever it rained. Snow made them impassable. Often farmers could not get to town for weeks, sometimes not even to their own mailbox.
Radio changed that. It would bring timely weather and market reports, news and entertainment. Far more than city dwellers, rural people were most grateful. In numerous letters to stations, entertainers and magazines and in conversations with agriculture agents and radio dealers, they expressed the value of the information and the great relief to isolation and loneliness.
- Type
- Chapter
- Information
- The Making of American AudiencesFrom Stage to Television, 1750–1990, pp. 208 - 218Publisher: Cambridge University PressPrint publication year: 2000