Book contents
- Magical Realism and Literature
- Cambridge Critical Concepts
- Magical Realism and Literature
- Copyright page
- Contents
- Contributors
- Introduction
- Part I Origins
- Part II Development
- Part III Application
- Chapter 14 From the Inside of Belief
- Chapter 15 Word, Image and Cinematic Ekphrasis in Magical Realist Trauma Narratives
- Chapter 16 Scheherazade in the Diaspora
- Chapter 17 Ecomagical Realism in Alexis Wright’s Carpentaria and Linda Hogan’s People of the Whale
- Chapter 18 Proximate Magic
- Chapter 19 Magic and the Literary Market
- Bibliography
- Index
Chapter 14 - From the Inside of Belief
Magic and Religion
from Part III - Application
Published online by Cambridge University Press: 22 October 2020
- Magical Realism and Literature
- Cambridge Critical Concepts
- Magical Realism and Literature
- Copyright page
- Contents
- Contributors
- Introduction
- Part I Origins
- Part II Development
- Part III Application
- Chapter 14 From the Inside of Belief
- Chapter 15 Word, Image and Cinematic Ekphrasis in Magical Realist Trauma Narratives
- Chapter 16 Scheherazade in the Diaspora
- Chapter 17 Ecomagical Realism in Alexis Wright’s Carpentaria and Linda Hogan’s People of the Whale
- Chapter 18 Proximate Magic
- Chapter 19 Magic and the Literary Market
- Bibliography
- Index
Summary
This chapter makes a case for the value of examining magical realism’s many intersections with religion, a topic that has been undertreated in Anglophone scholarship. While the global corpus of magical realist literature has drawn from countless religious resource bases, faith in magical realism has been thought of almost exclusively as indigenous faiths for reasons this chapter explores. In contrast, the mode has been considered as especially antithetical to Christianity, even though we can trace the latter within some of the earliest self-professed magical realist narratives, and many subsequent ones. It is in direct response to these dual misconceptions that this chapter focuses on magical realist narratives that utilize Christianity and narratives that utilize indigenous religious, showing, for example, how we might see within both the use of common narrative strategies and effects. By addressing these two poles, the author encourages an open understanding of the mode’s potential relation to any religious resource base. The chapter concludes that while the term 'magic' itself is freighted, the form can be amicable towards religious practitioners and sensibilities. We see this in a couple of ways. First, magical realism’s structural configuration can be – and is – understood as pointing to a multidimensional human world. Second, the mode can provide a phenomenological account of religion, or an experience of belief from the inside.
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- Magical Realism and Literature , pp. 241 - 261Publisher: Cambridge University PressPrint publication year: 2020