In The Prelude (1805/1850), Wordsworth reimagines time through the ritual calendar and festivals of revolutionary France. The Revolution’s rituals, moreover, complicate the common notion that Wordsworth retreats from politics into poetry. By way of ritual, Wordsworth enters what Walter Benjamin calls now-time or higher time, moments in which the past – via memory – becomes simultaneous with the present. Such now-times allow Wordsworth to juxtapose, on the one hand, his own past calling to a poetic vocation with, on the other hand, the Revolution’s founding vocation to bring liberty. In that juxtaposition, Wordsworth’s own faithfulness to his poetic calling tacitly critiques the Revolution’s infidelity to its origins. The higher time of ritual, then, mediates between Wordsworthian memory and revolutionary history. Wordsworth provides foundations for many Victorian liturgies. His sacralization of material reality, his resistance to the market’s dehumanizing rituals, his imbrication of memory and higher time – each of these undergoes further elaboration as the century unfolds.