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Chapter 3 - Romanos the Melodist

Published online by Cambridge University Press:  04 July 2020

Andrew Mellas
Affiliation:
St Andrew's Greek Orthodox Theological College, NSW
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Summary

This chapter examines the compunctious hymns of Romanos the Melodist. It explores the genre of his compositions (kontakion) and their liturgical context, reimagining the performance of his hymns during the Lenten period. It does so according to three themes: compunction and repentance; biblical exemplars of compunction; and compunction in the face of eschatological judgment. By framing the approach of this chapter with these three themes, the most relevant elements of compunction in Romanos’ oeuvre are examined. The chapter shows how Romanos’ kontakia, by retelling and amplifying the sacred stories that defined the Byzantines, sought to frame and shape an emotional and liturgical community in Constantinople.

Type
Chapter
Information
Liturgy and the Emotions in Byzantium
Compunction and Hymnody
, pp. 71 - 112
Publisher: Cambridge University Press
Print publication year: 2020

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  • Romanos the Melodist
  • Andrew Mellas
  • Book: Liturgy and the Emotions in Byzantium
  • Online publication: 04 July 2020
  • Chapter DOI: https://doi.org/10.1017/9781108767361.003
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  • Romanos the Melodist
  • Andrew Mellas
  • Book: Liturgy and the Emotions in Byzantium
  • Online publication: 04 July 2020
  • Chapter DOI: https://doi.org/10.1017/9781108767361.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Romanos the Melodist
  • Andrew Mellas
  • Book: Liturgy and the Emotions in Byzantium
  • Online publication: 04 July 2020
  • Chapter DOI: https://doi.org/10.1017/9781108767361.003
Available formats
×