Book contents
- Liszt in Context
- Composers in Context
- Liszt in Context
- Copyright page
- Contents
- Illustrations and Tables
- Contributors
- Preface
- Part I People and Places
- Part II Society, Thought and Culture
- Part III Performance and Composition
- Chapter 19 Pianos and Piano Builders
- Chapter 20 Liszt on the Road
- Chapter 21 Virtuosity
- Chapter 22 Improvisation
- Chapter 23 Transcription
- Chapter 24 Liszt as Conductor
- Chapter 25 Publishers
- Chapter 26 Genre
- Part IV Reception and Legacy
- Further Reading
- Index
Chapter 21 - Virtuosity
from Part III - Performance and Composition
Published online by Cambridge University Press: 23 September 2021
- Liszt in Context
- Composers in Context
- Liszt in Context
- Copyright page
- Contents
- Illustrations and Tables
- Contributors
- Preface
- Part I People and Places
- Part II Society, Thought and Culture
- Part III Performance and Composition
- Chapter 19 Pianos and Piano Builders
- Chapter 20 Liszt on the Road
- Chapter 21 Virtuosity
- Chapter 22 Improvisation
- Chapter 23 Transcription
- Chapter 24 Liszt as Conductor
- Chapter 25 Publishers
- Chapter 26 Genre
- Part IV Reception and Legacy
- Further Reading
- Index
Summary
Every instrument has one, some many: a person whose expression is revelatory, whose technique is both effortless and boundless and whose audience never wants to stop applauding. These extraordinary musicians may still be alive, selling out concerts and racking up views on YouTube and likes on social media. Others have been gone for decades, even centuries, their historical distance only adding to their mythic reputation. Andrés Segovia or Joe Satriani on the guitar, Luigi Boccherini or Yo-Yo Ma on the violoncello, Niccolò Paganini or Hilary Hahn on the violin – such musicians have shaped the identity of their instrument by dint of unparalleled technical and artistic mastery.
- Type
- Chapter
- Information
- Liszt in Context , pp. 193 - 201Publisher: Cambridge University PressPrint publication year: 2021