Book contents
- The Linguistics of Crime
- The Linguistics of Crime
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- 1 Editorial Introduction
- 2 The Metaphoric and Metonymic Conceptualisation of the Other
- 3 Prison Metaphors
- 4 Ideology in Mainstream Crime Fiction
- 5 A Critical and Stylistic Analysis of the Depiction of the Transnational Human Trafficking Victim in Minette Walters’ The Cellar
- 6 The Linguistic Construction of Political Crimes in Kurdish-Iraqi Sherko Bekas’ Poem The Small Mirrors
- 7 Stylistic Aspects of Detective Fiction in Translation
- 8 Transnational Adaptations of Sherlock Holmes
- 9 The Ethical Effects of Voice-Over Narration on a Victim Testimonial
- 10 Realising Betrayal
- 11 ‘Nossa Vida é Bandida’
- 12 Deviant Mind Style of a Schizophrenic Offender
- 13 Narrower or Broader Ground? The Role and Function of Metaphors in Legal Discourse
- 14 Condemning the Condemners
- 15 Ideology in Critical Crime Fiction
- Index
15 - Ideology in Critical Crime Fiction
Published online by Cambridge University Press: 05 January 2023
- The Linguistics of Crime
- The Linguistics of Crime
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- 1 Editorial Introduction
- 2 The Metaphoric and Metonymic Conceptualisation of the Other
- 3 Prison Metaphors
- 4 Ideology in Mainstream Crime Fiction
- 5 A Critical and Stylistic Analysis of the Depiction of the Transnational Human Trafficking Victim in Minette Walters’ The Cellar
- 6 The Linguistic Construction of Political Crimes in Kurdish-Iraqi Sherko Bekas’ Poem The Small Mirrors
- 7 Stylistic Aspects of Detective Fiction in Translation
- 8 Transnational Adaptations of Sherlock Holmes
- 9 The Ethical Effects of Voice-Over Narration on a Victim Testimonial
- 10 Realising Betrayal
- 11 ‘Nossa Vida é Bandida’
- 12 Deviant Mind Style of a Schizophrenic Offender
- 13 Narrower or Broader Ground? The Role and Function of Metaphors in Legal Discourse
- 14 Condemning the Condemners
- 15 Ideology in Critical Crime Fiction
- Index
Summary
Douthwaite selects the television series Inspector George Gently as an exemplification of critical crime fiction in order to lay bare the ideological workings of that sub-genre and of the linguistic techniques it employs to position readers/viewers, offering an overview of the constructional techniques deployed together with close readings of the texts to bear out the arguments. A continual comparison is made with Graham’s novels and the Midsomer Murders television series to demonstrate how differences in constructional techniques and the use of linguistic devices aiming to position viewers constitute a clear difference between the goals of conservative and critical crime fiction.
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- The Linguistics of Crime , pp. 330 - 331Publisher: Cambridge University PressPrint publication year: 2023