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  3. The Limits of Illusion: A Critical Study of Calderón
  • Cited by 8
Publisher:
Cambridge University Press
Online publication date:
March 2010
Print publication year:
1984
Online ISBN:
9780511659416
DOI:
https://doi.org/10.1017/CBO9780511659416
Subjects:
Literature, European and World Literature: General Interest
Series:
Cambridge Iberian and Latin American Studies
Information

Book description

This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.

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