Book contents
- Liberalism and American Literature in the Clinton Era
- Cambridge Studies in American Literature and Culture
- Liberalism and American Literature in the Clinton Era
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Chapter 1 The Varieties of American Neoliberalism
- Chapter 2 “The Family Gone Wrong”
- Chapter 3 Post-political Form
- Chapter 4 “SUPERNAFTA” vs. “El Gran Mojado”
- Afterword
- Notes
- Index
- Recent books in this series
Chapter 1 - The Varieties of American Neoliberalism
Published online by Cambridge University Press: 16 June 2022
- Liberalism and American Literature in the Clinton Era
- Cambridge Studies in American Literature and Culture
- Liberalism and American Literature in the Clinton Era
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Chapter 1 The Varieties of American Neoliberalism
- Chapter 2 “The Family Gone Wrong”
- Chapter 3 Post-political Form
- Chapter 4 “SUPERNAFTA” vs. “El Gran Mojado”
- Afterword
- Notes
- Index
- Recent books in this series
Summary
This chapter explores texts that articulate the differences and continuities between Reaganite neoliberalism, as represented by Bret Easton Ellis’s American Psycho, and Clintonian neoliberalism, as represented in Clinton’s own speeches, Joe Klein’s Primary Colors, and the work of Mary Gaitskill. Clinton’s defense of welfare reform attaches a therapeutic rationale to right-wing ideals like “personal responsibility," and we see this same logic in in Gaitskill’s post-feminist interventions into ‘90s-era debates about female masochism and campus sex codes. We also see how this personalizing logic resolves political conflict in her novel Two Girls, Fat and Thin, in which what could be understood as an ideological disagreement about capitalism — the tension between a left-leaning journalist and a follower of a thinly-veiled version of Ayn Rand — proves to be a product of the two women’s failure to take "responsibility" for their own emotional experiences. In this chapter, I also examine how the logic of welfare-reform is contested by novels like Richard Price’s Clockers and Sapphire’s Push, both of which seek to demystify the “workfare” state’s idealization of legal, low-wage work.
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- Liberalism and American Literature in the Clinton Era , pp. 35 - 70Publisher: Cambridge University PressPrint publication year: 2022