Skip to main content Accessibility help
×
Hostname: page-component-745bb68f8f-b95js Total loading time: 0 Render date: 2025-02-10T14:08:39.535Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  07 February 2025

Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Aff?, Ireneo. Memorie degli scrittori e letterati parmigiani. 9 vols. Parma: Stamperia Riale, 1789–1833.Google Scholar
Alberti, Leon Battista. Corpus epistolare e documentario di Leon Battista Alberti. Edited by Benigni, Paola, Cardini, Roberto, Regoliosi, Mariangela, and Arfanotti, Elisabetta. Florence: Polistampa, 2007.Google Scholar
Alberti, Leon Battista. De commodis litterarum atque incommodis, edited by Carotti, Laura Goggi. In Nuova collezione di testi umanistici ineditit o rari: Pubblicata sotto gli auspici della Scuola Normale Suoperiore di Pisa da A. Campana, P. O. Kristeller, S. Mariotti, G. Martelotti. Vol. 17. Florence: Leo S. Olschki, 1974.Google Scholar
Alberti, Leon Battista. De equo animante. Edited by Videtta, Antonio. Naples: Ce.S.M.E.T., 1991.Google Scholar
Alberti, Leon Battista. De iciarchia. Translated and edited by Grayson, Cecil. Bari: Laterza, 1966.Google Scholar
Alberti, Leon Battista. De re aedificatoria. Translated and edited by Rykwert, Joseph, Leach, Neil, and Tavernor, Robert. Cambridge, MA: MIT Press, 1988.Google Scholar
Alberti, Leon Battista. De re aedificatoria. Edited and translated by Orlandi, Giovanni and Portoghesi, Paolo. 2 vols. Milan: Edizione il Polifilo, 1966.Google Scholar
Alberti, Leon Battista. Della pittura: Edizione critica. Edited by Mallè, Luigi. Florence: Sansoni, 1950.Google Scholar
Alberti, Leon Battista. Descriptio urbis Romae. Translated by Hicks, Peter. Edited by Boriaud, Jean-Yves, Carpo, Mario, and Furlan, Francesco. Tempe: Arizona State University Press, 2007.Google Scholar
Alberti, Leon Battista. Dinner Pieces (Intercenales). Translated by Marsh, David. Binghamton, NY: Medieval & Renaissance Texts & Studies in Conjunction with the Renaissance Society of America, 1987.Google Scholar
Alberti, Leon Battista. Elementi di pittura. Edited by Mancini, Girolamo. Corona: Bimbi, 1864.Google Scholar
Alberti, Leon Battista. Leon Battista Alberti: On Painting and On Sculpture: The Latin Texts of “De pictura” and “De statua.” Edited and translated by Grayson, Cecil. London: Phaidon, 1972.Google Scholar
Alberti, Leon Battista. I libri della famiglia. Translated by Watkins, Renée Neu. Long Grove, IL: Waveland Press, 2004.Google Scholar
Alberti, Leon Battista. The Mathematical Works of Leon Battista Alberti. Edited by Williams, Kim, March, Lionel, and Wassell, Stephen R.. Basel: Birkhäuser, 2010.Google Scholar
Alberti, Leon Battista. On Painting. Edited and translated by Spencer, John R.. New Haven, CT: Yale University Press, 1956.Google Scholar
Alberti, Leon Battista. On Painting. Edited and translated by Sinisgalli, Rocco. Cambridge: Cambridge University Press, 2011.Google Scholar
Alberti, Leon Battista. On the Use and Abuse of Books. Translated by Watkins, Renée Neu. Prospect Heights, IL: Waveland, 1999.Google Scholar
Alberti, Leon Battista. Opera inedita et pauca separatim impressa di Leon Battista Alberti. Edited by Mancini, Girolamo. Florence: Sansoni, 1890.Google Scholar
Alberti, Leon Battista. Opere volgari di Leon Battista Alberti: Per la più parte inedite e tratte dagli autografi annotate e ilustrate. Edited by Bonucci, Anicio. 5 vols. Florence: Galileiana, 1843–49.Google Scholar
Alberti, Leon Battista. Philodoxeos fabula. In “Leon Battista Alberti’s Philodoxeos (1424): An English Translation.” Translated by Joseph R. Jones and Lucia Guzzi. Celetinesca 17, no. 1 (1993): 87–134.Google Scholar
Alighieri, Dante. De monarchia. Translated by Aurelia Henry. New York: Houghton, Mifflin, 1904.Google Scholar
Alighieri, Dante. The Divine Comedy. Translated by Allen Mandelbaum. New York: Random House, 2013.Google Scholar
Aristotle, . Physics. Translated by Edward Hussey. Oxford: Oxford University Press, 1983.Google Scholar
Aristotle, . The Poetics of Aristotle. Translated by S. H. Butcher. London: Macmillan, 1895.Google Scholar
Arnaldi, Girolamo. Studi sui cronisti della Marca Trevigiana nell’età di Ezzelino da Romano di Girolamo Arnaldi. Rome: Instituto Storico Italiano per il Medio Evo Studi Storici, 1963.Google Scholar
Aurispa, Giovanni. Carteggio di Giovanni Aurispa. Edited by Sabbadini, Remigio. Rome: Tipografia del Senato, 1931.Google Scholar
Averlino, Antonio di Piero [Filarete]. Treatise on Architecture. Translated by John Spencer. 2 vols. New Haven, CT: Yale University Press, 1965.Google Scholar
Bacon, Roger. Opus maius. Edited by Bridges, John Henry. Oxford: Clarendon Press, 1900.Google Scholar
Barbaro, Francesco. De re uxoria. 2 vols. Haganau: Officina Seceriana, 1533.Google Scholar
Barbaro, Francesco. Directions for Love and Marriage: In Two Books. Translator unknown. 2 vols. London: John Leigh and Tho. Burrell, 1677.Google Scholar
Barberino, Francesco da. I documenti d’amore di Francesco da Barberino: Secondo i mss. originali. Edited by Edigi, Francesco. Milan: Archè, 2006.Google Scholar
Barzizza, Gasparino. Gasparini e Guiniforti Barzizii opera. Edited by Alessandro Furietti, Giuseppe. Bologna: Forni, 2003.Google Scholar
Barzizza, Gasparino. Vocabularium Breue Magistri Gasparini Pergomensis. Venice: Franciscus de Bindonis, 1523.Google Scholar
Barzizza, Gasparino, and Barzizza, Guiniforti. Gasparini Barzizzi Bergomatis et Guiniforti filii opera: Quorum pleraque ex MSS, codicibus nunc primùm in lucem eruta recensuit, ac edidit. Edited by Furietti, Giuseppe Alessandro and Ponti, Antonia Suardi. Rome: J. M. Salvioni, 1723.Google Scholar
Beccadelli, Antonio. Hermaphroditus. Translated by Eugene O’Connor. Lanham, MD: Lexington Books, 2001.Google Scholar
Biancani, Giuseppe. Aristotelis loca mathematica ex universes ipius operibus collecta et explicata. Bologna: Tamobrini, 1615.Google Scholar
Biancani, Giuseppe. Spaera mundi, seu cosmographia demonstrativa, ac facili methodo tradita. Bologna: Tamborini, 1620.Google Scholar
Biondo, Flavio. De Roma instaurata. Edited by Baudi, Giovanni and Bremio, Giovanni. Turin: Bernardinus Sylva, 1527.Google Scholar
Biondo, Flavio. Italy Illuminated. Translated and edited by White, Jeffrey A.. Cambridge, MA: Harvard University Press, 2005.Google Scholar
Boccaccio, Giovanni. The Decameron. Translated by James M. Rigg. London: Navarre Society, 1921.Google Scholar
Bracciolini, Poggio. De vera nobilitate. Edited by Canfora, Davide. Rome: Edizione di Storia e Letteratura, 2002.Google Scholar
Bracciolini, Poggio. “Descriptio ruinarum urbis Romae.” In Codex urbis Romae typographicus, edited by von Urlichs, Ludwig, 233–55. Würzburg: Aedibus Stahelianis, 1871.Google Scholar
Bracciolini, Poggio. Lettere. Vol. 2. Edited by Harth, Helene. Florence: Casa Editrice Leo S. Olschki, 1984.Google Scholar
Buoninsegni, Piero. Historia fiorentina. Florence: Fiorenza, 1580.Google Scholar
Cavallo, Buonaventura. Vita del B. Nicolò Albergati Cardinale di Santa Croce. Rome: V. Mascardi, 1654.Google Scholar
Cennini, Cennino. The Craftsman’s Handbook: Il libro dell’arte. Translated by David V. Thompson. New York: Dover, 1960.Google Scholar
Cennini, Cennino. Il libro dell’arte o trattato della pittura. Edited by Tempesti, Fernando. Milan: Longanesi, 1975.Google Scholar
Cennini, Cennino. Il libro dell’arte o trattato della pittura: Di nuovo pubblicato con molte correzioni e coll’aggiunta di più capitoti tratti dai Codici Fiorentini. Edited by Milanesi, Carlo and Milanesi, Gaetano. Florence: Felice Le Monnier, 1859.Google Scholar
Cicero, Marcus Tullio. Brutus. Translated by George Lincoln Hendrickson. Edited by Henderson, Jeffrey. Cambridge, MA: Harvard University Press, 1962.Google Scholar
Cicero, Marcus Tullio. Cato Maior de senectute. Translated by William Armistead Faulkner. Cambridge, MA: Harvard University Press, 1979.Google Scholar
Cicero, Marcus Tullio. De amicitia. Translated by William Armistead Falconer. Cambridge, MA: Harvard University Press, 1923.Google Scholar
Cicero, Marcus Tullio. De inventione. Translated by H. M. Hubbell. Cambridge, MA: Harvard University Press, 1949.CrossRefGoogle Scholar
Cicero, Marcus Tullio. De natura deorum. Translated by Horace Rackham. Cambridge, MA: Harvard University Press, 1933.Google Scholar
Cicero, Marcus Tullio. De officiis. Translated by Walter Miller. Cambridge, MA: Harvard University Press, 2015.Google Scholar
Cicero, Marcus Tullio. De optimo genere oratorum. Translated by H. M. Hubbell. Cambridge, MA: Harvard University Press, 1976.Google Scholar
Cicero, Marcus Tullio. De oratore. Edited by Rackham, Horace. Translated by Edward William Sutton. Cambridge, MA: Harvard University Press, 1942.CrossRefGoogle Scholar
Cicero, Marcus Tullio. In Catilinum I–IV. Translated by C. MacDonald. Cambridge, MA: Harvard University Press, 1996.Google Scholar
Cicero, Marcus Tullio. Orator. Translated by H. M. Hubbell. Cambridge, MA: Harvard University Press, 1962.Google Scholar
Cicero, Marcus Tullio. Pro Archia poeta. In Orations. Translated by Neville Hunter Watts. Cambridge, MA: Harvard University Press, 1923.Google Scholar
Cicero, Marcus Tullio. Pro Caelio. In Orations. Translated by R. Gardner. Cambridge, MA: Harvard University Press, 1958.Google Scholar
Cicero, Marcus Tullio. Pro Murena. In vol. 10 of Cicero, translated by C. MacDonald, 186302. Cambridge, MA: Harvard University Press, 1976.Google Scholar
[Cicero, ]. Rhetorica ad Herennium. Translated by Harry Caplan. Cambridge, MA: Harvard University Press, 1964.Google Scholar
Ciriaco, of Ancona [Ciriaco de’ Pizzicolli]. Cyriac of Ancona: Later Travels. Edited and translated by Bodnar, Edward W.. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Conversino da Ravenna, Giovanni di. Dragmalogia de eligibili vite genere. Edited and translated by Eaker, Helen Lanneau. Lewisburg, PA: Bucknell University Press, 1978.Google Scholar
Conversino da Ravenna, Giovanni di. Two Court Treatises. Edited and translated by Kohl, Benjamin G. and Day, James. Munich: Wilhelm Fink, 1987.Google Scholar
Corpus delle epigrafi medievali di Padova. http://cem.dissgea.unipd.it.Google Scholar
D’Abano, Pietro. The Mediator of Conflicts between Philosophers and Especially of Medical Scientists. Edited by Rionadato, Ezio and Olivieri, Luigi. Padua: Antenore, 1985.Google Scholar
Da Nono, Giovanni. “Visio Egidii regis Patavie.” In La cronaca di Giovanni da Nono. Edited by Fabria, Giovanni. Padua: Società Cooperativa Tipografia, 1940.Google Scholar
Da Prato, Giovanni Gherardo. Il Paradiso degli Alberti. Edited by Lanza, Antonio. Rome: Salerno, 1975.Google Scholar
Dallari, Umberto, ed. I rotuli dei lettori, legisti e artisti dello studio bolognese dal 1384 al 1799. 4 vols. Bologna: Fratelli Merlani, 1888.Google Scholar
Dolfin, Pietro. Veterum scriptorum et monumentorum historicorum, dogmaticorum, moralium, amplissima collectio. Edited by Martène, Edmund and Durand, Ursin. 9 vols. Paris: Montelant, 1726.Google Scholar
Erasmus, Desiderius. Opus epistolarum Des. Erasmi Roterodami. Edited by Flower, Barbara. Translated by Percy Stafford Allen. London: Clarendon Press, 1906.Google Scholar
Fabricius, Johann Albert, and Schöttgen, Christian. Bibliotheca Latina, mediae et infimae aetatis. Vol. 5. Florence: Thomas Baracchi, 1858.Google Scholar
Facio, Bartolomeo. De viris illustribus liber. Florence: Joannis Pauli Giovannelli, 1745.Google Scholar
Federicio, Placido. Rerum Pomposianarum: Historia, monumentis illustrata. Rome: Antonium Fulgonium, 1781.Google Scholar
Filarete, [Antonio di Piero Averlino]. Treatise on Architecture: Being the Treatise by Antonio di Piero Averlino, Known as Filarete. 2 vols. Translated by John R. Spencer. New Haven, CT: Yale University Press, 1965.Google Scholar
Franchi, Luigi, ed. Statuti e ordinamenti della Università di Pavia dall’anno 1361 all’anno 1859. Pavia: Tipografia Cooperativa, 1925.Google Scholar
Gamberini, Antonio Dominico, ed. Sexti Rufi viri consularis Breviarium rerum gestarum populi romani ad Valentinianum Augustum ad MM. SS. Codices Vaticano, Chisianos, Aliosque Emendatum. Rome: Linum Contedini, 1819.Google Scholar
Gherardi, Alessandro. Statuti della università e studio fiorentino dell’anno 1387. Florence: Forni, 1881.Google Scholar
Ghiberti, Lorenzo. I commentarii. Edited by Morisani, Ottavio. 2 vols. Naples: Riccardo Ricciardi, 1947.Google Scholar
Ghiberti, Lorenzo. I Commentarii: Biblioteca Nazionale Centrale di Firenze. Edited by Bartoli, Lorenzo. 2 vols. Florence: Giunti, 1998.Google Scholar
Ghirardacci, Cherubino. Della historia di Bologna. Vol. 1. Bologna: Giovanni Rossi, 1605.Google Scholar
Gloria, Andrea, ed. Documenti inediti intorno al Petrarca, con alcuni cenni della casa di lui in arquà e Della Reggia dei da Carrara in Padova. Padua: Minerva, 1878.Google Scholar
Gloria, Andrea, Monumenti della Università di Padova (1318–1405): Raccolti da Andrea Gloria. 2 vols. Padua: Forni, 1888.Google Scholar
Gloria, Andrea, I sigilli della Università di Padova dal 1222 al 1797: Nota con documenti. Padua: Minerva, 1896.Google Scholar
Homer, . The Iliad. Translated by Samuel Butler. London: Longmans Green, 1898.Google Scholar
Horace, Quintus Horatius Flaccus. Satires; Epistles; and Ars Poetica. Translated by Henry Rushton Fairclough. Cambridge, MA: Harvard University Press, 1991.Google Scholar
Isocrates, . Busiris. Translated by George Nolan. Cambridge, MA: Harvard University Press, 1929.Google Scholar
Josephus, . The New Complete Works of Josephus. Translated by William Whiston. Grand Rapids, MI: Kregel, 1999.Google Scholar
Juvenal, Decimus Junius. Satires. Translated by Charles Badham. New York: Harper, 1855.Google Scholar
Laertius, Diogenes. Lives and Opinions of Eminent Philosophers. Translated by Robert Drew Hicks. Cambridge, MA: Harvard University Press, 1972.Google Scholar
Landino, Cristoforo. Introduzione: Dante, La Commedia. Venice: Matteo Codecà, 1493.Google Scholar
Landino, Cristoforo. “Proemio al commento dantesco.” In Scritti critici e teorici, edited by Cardini, Roberto, 1:100164. Rome: Bulzoni, 1974.Google Scholar
da Vinci, Leonardo. Treatise on Painting. Translated by A. Philip McMahon. 2 vols. Princeton, NJ: Princeton University Press, 1956.Google Scholar
Livy, Titus Patavinus. Ab urbe condita libri. Translated by B. O. Foster. Cambridge, MA: Harvard University Press, 1919.Google Scholar
Lomazzo, Giovanni Paolo. Trattato dell’arte della pittura, scoltura, et architettura. Milan: Pietro Tini, 1585.Google Scholar
Lovati, Lovato. Lupati de Lupatus, Bovetini de Bovetinis, Albertini Mussati, Necnon Jamboni Andreae de Favafuschis: Carmina quaedam ex Codice Veneto nunc primum edita. Edited by Padrin, Luigi. Padua: Tipografia del Seminario, 1887.Google Scholar
Lucan, Marcus Aenneus. Pharsalia. Translated by Jane Wilson Joyce. Ithaca, NY: Cornell University Press, 1993.CrossRefGoogle Scholar
Lucian of Samosata, . “Dialogues with the Dead.” In Lucian. Vol. 7. Translated by M. D. MacLeod, 1177. Cambridge, MA: Harvard University Press, 1961.Google Scholar
Lucian of Samosata, . “Essays in Portraiture” (Imagines). In Lucian, translated by A. M. Harmon, 4:255–97. Cambridge, MA: Harvard University Press, 1961.Google Scholar
Lucian of Samosata, . Lucian. Translated by A. M. Harmon. Vol. 1. Cambridge MA: Harvard University Press, 1961.Google Scholar
Lucian of Samosata, . “Slander” (Calumnae non temere credendum). In Lucian, translated by A. Harmon, 1:359–95. Cambridge, MA: Harvard University Press, 1961.Google Scholar
Mabillon, Jean, and Germain, Michel. Museum italicum: Iter italicum literarium. 2 vols. Paris: Montalant, 1724.Google Scholar
Machiavelli, Niccolò. The Prince. Edited by Skinner, Quentin and Price, Russell. Translated by Russell Price. Cambridge: Cambridge University Press, 2007.Google Scholar
Maiocchi, Rodolfo. Codice diplomatico dell’Università di Pavia. 2 vols. Pavia: Fusi, 1905.Google Scholar
Malagola, Carlo, ed. Statuti delle università e dei collegi dello studio bolognese. Bologna: N. Zanichelli e Bottega d’Erasmo, 1966.Google Scholar
Mancini, Girolamo, ed. Nuovi documenti e notizie sulla vita e sugli scritti di Leon Battista Alberti. Florence: Sansoni, 1882.Google Scholar
Mancini, Girolamo. Vita di Leon Battista Alberti. Florence: Sansoni, 1882.Google Scholar
Manetti, Antonio di Tuccio. The Life of Brunelleschi. Translated by Catherine Enggass. University Park: Pennsylvania State University Press, 1970.Google Scholar
Manetti, Antonio di Tuccio. “XIV uomini singhularii in Firenze.” Translated by Peter Murray. In “Art Historians and Art Critics–IV.” Burlington Magazine 99, no. 655 (1957): 330–36.Google Scholar
Michiel, Marcantonio. Anonimo: Notizia d’opere di disegno nella prima metà del secolo XVI. Esistenti in Padova, Cremona, Milano, Pavia, Bergamo, Crema e Venezia (scritta da un anonimo di quel tempo). Edited by Morelli, Jacopo. Bassano: Art Theorists of the Italian Renaissance, 1997.Google Scholar
Mussato, Albertino. Albertino Mussato, epistole metriche. Edited and translated by Lombardo, Luca. Venice: Ca’ Foscari, Digital Publishing, 2020.Google Scholar
Mussato, Albertino. De gestis Italiacorum post Henricum VII Cesarem. Edited by Padrin, Luigi. Venice: Spese della Società, 1903.Google Scholar
Mussato, Albertino. Ecerinis; Antonio Loschi Achilles. Edited by Padrin, Luigi. Munich: W. Fink, 1975.Google Scholar
Mussato, Albertino. Historia Augusta Henrici VII Caesaris. Venice: Ducali Pinelliana, 1636.Google Scholar
Mussato, Albertino. Sette libri inediti del De gestis Italicorum post Henricum VII. Edited by Padrin, Luigi. Venice: A Spese della Società, 1903.Google Scholar
Mussato, Albertino. Studio storico e letterario. Edited by Zardo, Antonio. Padua: Angelo Draghi Libraio, 1884.Google Scholar
Mussato, Albertino. Traditio civitatis Padue ad Canem Grandem: Ludovicus Bavarus. Edited by Gianola, Giovanna M. and Modonutti, Rino. Florence: Sismel, 2015.Google Scholar
Parmeggiani, Riccardo. Il vescovo e il capitolo: Il Cardinale Niccolò Albergati e i Canonici di S. Pietro di Bologna (1417–1443): Un’inedita visita pastorale (1437). Bologna: Deputazione di Storia Patria, 2009.Google Scholar
Passerini, Luigi. Gli Alberti di Firenze: Genealogia, storia e documenti. 2 vols. Florence: M. Cellini, 1859–69..Google Scholar
Peckham, John. John Peckham and the Science of Optics: Perspectiva communis. Edited and translated by Lindberg, David. Madison: University of Wisconsin Press, 1970.Google Scholar
Petrarch, [Francesco Petrarca]. Collatio laureationis (Coronation Oration). Translated by Ernest H. Wilkins. PMLA Modern Language Association of America 68, no. 5 (December 1953): 1241–50.Google Scholar
Petrarch, [Francesco Petrarca]. De viris illustribus. Edited by Martellotti, Guido. Florence: Sansoni, 1964.Google Scholar
Petrarch, [Francesco Petrarca]. Invectives. Edited and translated by David Marsh. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Petrarch, [Francesco Petrarca]. Petrarca letterato. Edited by Billanovich, Giuseppe. Rome: Edizioni di Storia e Letteratura, 1947.Google Scholar
Petrarch, [Francesco Petrarca]. Rerum familiarium libri. Translated by Aldo S. Bernardo. 3 vols. New York: Italica Press, 2005.Google Scholar
Petrarch, [Francesco Petrarca]. Rerum senilium libri. Translated by Aldo S. Bernardo, Saul Levin, and Reta A. Bernardo. 2 vols. Baltimore: Johns Hopkins University Press, 1992.Google Scholar
Piccolomini, Aeneus Silvius. Der Briefwechsel des Eneas Silvius Piccolomini: 23. September 1450–1. Juni 1454. Edited by Wolkan, Rudolph. Vienna: Hölder, 1918.Google Scholar
Piccolomini, Aeneus Silvius, and von Wyle, Niklas. The Tale of Two Lovers: Eurialus and Lucretia. Edited by Morrall, Eric John. Amsterdam: Rodopi, 1988.Google Scholar
Pliny the Elder, [Gaius Plinius Secundus]. Natural History. Translated by Horace Rackham. Vol. 9. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Pliny the Younger, [Gaius Plinius Caecilius Secundus]. Letters. Translated by Betty Radice. 2 vols. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Plutarch, Lucius Mestrius. Parallel Lives. Translated by Bernadotte Perrin. Cambridge, MA: Harvard University Press, 1914.Google Scholar
Poggi, Giovanni. Il Duomo di Firenze: Documenti sulla decorazione della chiesa e del campanile tratti dall’Archivio dell’Opera. In Italienische Forschungen, 10–18. Florence: Courier, 1988.Google Scholar
Polenton, Sicco. Scriptorum illustrium latinae linguae libri XVIII. Edited by Ullman, B. L.. Volume 6 of Papers and Monographs at the American Academy in Rome. Rome: Sindacato Italiano Arti Grafiche, 1928.Google Scholar
Pollitt, J. J. The Art of Greece, 1400–31 B.C.: Sources and Documents. Englewood Cliffs, NJ: Prentice Hall, 1965.Google Scholar
Aeropagite, Pseudo Dionysius. The Celestial Hierarchy of Dionysius Aeropagite. Godalming: Shrine Book of Wisdom Fintry, 1935.Google Scholar
Aeropagite, Pseudo Dionysius. The Complete Works. Translated and edited by Luibhéid, Colm and Rorem, Paul. Mahway, NJ: Pauline Press, 1987.Google Scholar
Quintilian, [Marcus Fabius Quintilainus]. Institutio oratoria. Edited and translated by Russell, Donald A.. 5 vols. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Rolandinus, Grammaticus. The Chronicles of the Trevisan March. Translated by Joseph R. Berrigan. Lawrence, KS: Coronado Press, 1980.Google Scholar
Romanus, Cincius. “Letter to Franciscus de Fiana (Summer 1416).” In Two Renaissance Book Hunters: The Letters of Poggius Bracciolini to Nicolaus de Niccolis, translated and edited by Gordan, Phyllis and Goodhart, Walter, 187–90. New York: Columbia University Press, 1991.Google Scholar
Sallust, [C. Sallusti Crispi]. The War with Cataline (Bellum Catalinae). Loeb Classical Library, 1921. https://penelope.uchicago.edu/Thayer/E/Roman/Sallust.html.Google Scholar
Salutati, Coluccio. Epistolario di Coluccio Salutati. 4 vols. Edited by Novati, Francesco. Rome: Fonti, 1891.Google Scholar
Savonarola, Michele. Libellus de magnificis ornamentis regie civitatis Padue. Edited by Segarizzi, Arnoldo. Città di Castello: E. Lapi, 1902.Google Scholar
Le scoperte dei codici latini e greci nel secoli XIV e XV. Edited by Sabbadini, Remigio. Florence: Sansoni, 1905.Google Scholar
Seneca, Lucian Annaeus. Ad Lucilium epistolae morales. Translated by Richard M. Gummere. 3 vols. Cambridge, MA: Harvard University Press, 1925.Google Scholar
Seneca, Lucian Annaeus. Seneca, Moral Epistles. Translated by Richard M. Gummere. Vol. 1. Cambridge, MA: Harvard University Press, 1917.Google Scholar
Valla, Laurentius. Elegantiae. Paris: Simonem Colinaeum, 1532.Google Scholar
Vasari, Giorgio. Le vite de’ più eccellenti pittori scultori e architettori: Nelle redazioni del 1550 e 1568. Edited by Milanesi, Gaetano. 9 vols. Florence: Sansoni, 1896.Google Scholar
Vasari, Giorgio. The Lives of the Most Eminent Painters and Architects. Translated by Gaston duc de Vere. 10 vols. London: Philip Lee Warner, 1914.Google Scholar
Vergerio, Pier Paolo. “Ad Ubertinum de Carraria de ingenuis moribus et liberalibus adulescentiae studiis liber” (The Character and Studies Befitting a Free-Born Youth Dedicated to Ubertino da Carrara). In Humanist Educational Treatises, translated and edited by Kallendorf, Craig W., 291. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Vergerio, Pier Paolo. Ad Ubertinum de Carraria de ingenuis moribus et liberalibus adulescentiae studiis liber. Venice: Damianum de Mediolano, 1493. Reprint. Hannover: Hannover University Press, 1999.Google Scholar
Vergerio, Pier Paolo. Rerum italicarum scriptores ab anno aerae Christianae 500 ad 1500. Edited by Muratori, Ludovico Antonio, Dandulus, Andreas, de Malvetiis, Jacobus, et al. Vol. 16. Milan: Societatis Palatinae, 1730.Google Scholar
Vergerio, Pier Paolo. Epistolario di Pier Paolo Vergerio. Edited by Smith, Leonard. Rome: Tipografia del Senato, 1934.Google Scholar
Vergerio, Pier Paolo. Liber de principibus Carrariensibus et gestis eorum incipit feliciter. Brindisi: Schena, 1997.Google Scholar
Vergerio, Pier Paolo. “Oratio in funere Francisci Senioris de Carraria, Patavii Principis.” In Rerum italicarum scriptores ab anno aerae Christianae 500 ad 1500. Edited by Muratori, Ludovico Antonio, Dandulus, Andreas, de Malvetiis, Jacobus, et al., 16:194–98. Milan: Societatis Palatinae, 1730.Google Scholar
Vergerio, Pier Paolo. Pier Paolo Vergerio and the Paulus, a Latin Comedy. Translated and edited by Katchmer, Michael. New York: P. Lang, 1998.Google Scholar
Verino, Ugolino. De illustratione urbis Florentiae. 10 vols. Florence: J. C. Tartinium et S. Franchium, 1724.Google Scholar
Veronese, Guarino. Epistolario di Guarino Veronese. Edited by Sabbadini, Remigio. 3 vols. Venice: A Spese della Società, 1915.Google Scholar
Vincentini, Nicolai Smeregli. Annales civitatis vincentiae: 1200–1312. Edited by Soranzo, Giovanni. Bologna: Zanichelli, 1921.Google Scholar
Vitruvius, Marcus Pollio. De architectura. Translated by Frank Granger. Vols. 1 and 2. Cambridge, MA: Harvard University Press, 1998.Google Scholar
Vitruvius, Marcus Pollio. Vitruvius: Ten Books on Architecture. Translated by Ingrid D. Rowland, Thomas Noble Howe, and Michael Dewar. New York: Cambridge University Press, 1999.CrossRefGoogle Scholar
Zanotti, Ercola Maria. Vita del B. Niccolò Albergati. Bologna: Girolamo Corciolani, 1757.Google Scholar

Secondary Sources

Abulafia, David. Frederick II: A Medieval Emperor. Oxford: Oxford University Press, 1992.Google Scholar
Ady, Cecilia. The Bentivoglio of Bologna: A Study in Despotism. Oxford: Oxford University Press and H. Milford, 1937.Google Scholar
Aiken, Jane Andrews. “Leon Battista Alberti’s System of Human Proportions.” Journal of the Warburg and Courtauld Institutes 43 (1980): 6896.CrossRefGoogle Scholar
Altrocchi, Rudolph. “The Calumny of Apelles in the Literature of the Quattrocento.” PMLA 36, no. 3 (1921): 454–91.Google Scholar
Ames-Lewis, Francis. The Intellectual Life of the Early Renaissance Artist. New Haven, CT: Yale University Press, 2000.Google Scholar
Andersen, Kirsti. The Geometry of an Art: The History of the Mathematical Theory of Perspective from Alberti to Monge. London: Springer, 2007.CrossRefGoogle Scholar
Andrews, Lew. Story and Space in Renaissance Art: The Rebirth of Continuous Narrative. Cambridge: Cambridge University Press, 1998.Google Scholar
Arnaldi, Girolamo. Studi sui cronisti della Marca Trevigiana nell’età di Ezzelino da Romano di Girolamo Arnaldi. Rome: Instituto Storico Italiano per il Medioevo, Studi Storici, 1963.Google Scholar
Barkan, Leonard. Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. New Haven, CT: Yale University Press, 1999.Google Scholar
Baron, Hans. Cicero and the Roman Civic Spirit in the Middle Ages and the Early Renaissance. Manchester: Manchester University Press, 1938.CrossRefGoogle Scholar
Baron, Hans. The Crisis of the Early Italian Renaissance: Civic Humanism and Republican Liberty in an Age of Classicism and Tyranny. Princeton, NJ: Princeton University Press, 1966.CrossRefGoogle Scholar
Baxandale, Susannah Foster. “The Alberti Family in and out of Florence: 1401–1428.” Renaissance Quarterly 44, no. 4 (Winter 1991): 720–56.Google Scholar
Baxandall, Michael. Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition, 1350–1450. Oxford: Clarendon Press, 1971.Google Scholar
Baxandall, Michael. “Guarino, Pisanello and Manuel Chrysoloras.” Journal of the Warburg and Courtauld Institutes 28 (1965): 183204.CrossRefGoogle Scholar
Beck, James H. Jacopo della Quercia. New York: Columbia University Press, 1991.Google Scholar
Beck, James H.Jacopo della Quercia’s Design for the Porta Magna of San Petronio in Bologna.” Journal of the Society of Architectural Historians 24, no. 2 (May 1965): 115–26.CrossRefGoogle Scholar
Beck, James H.Leon Battista Alberti and the ‘Night Sky’ at San Lorenzo.” Artibus et Historiae 10, no. 19 (1989): 935.CrossRefGoogle Scholar
Becker, Marvin. “Individualism in the Early Renaissance: Burden and Blessing.” Studies in the Renaissance 19 (1972): 273–97.CrossRefGoogle Scholar
Bellinati, Claudio. Nuovi studi sulla Cappella di Giotto all’Arena di Padova: 25 Marzo 1303–2003. Padua: Il Poligrafo, 2003.Google Scholar
Bellinati, Claudio. Il Veneto e i Giubilei: Contributo alla storia culturale e spirituale dell’evento in terra Veneta, 1300–2000. Padua: Il Poligrafo, 1999.Google Scholar
Benes, Carrie E. Urban Legends: Civic Identity and the Classical Past in Northern Italy, 1250–1350. University Park: Pennsylvania State University Press, 2011.Google Scholar
Benetti-Brunelli, Valeria. Leon Battista Alberti e il rinnovanmento pedagogio nel Quattrocento. Florence: Vallecchi, 1925.Google Scholar
Beretta, Giuseppe. “L’ideale etico Albertiano nel ‘De iciarchia’ e il ‘De officiis’ di Cicerone.” In Miscellanea di studi Albertiani, edited by Picconi, Gaetano, 934. Genoa: Tilgher, 1975.Google Scholar
Bergdolt, Klaus. “Bacon und Giotto: Zum Einfluß der Franziskanischen Naturphilosophie auf die bildende Kunst am Ende des 13. Jahrhunderts.” Medizinhistorisches Journal 24, nos. 1–2 (1989): 2541.Google Scholar
Bergin, Thomas G., and Wilson, Alice S.. Petrarch’s “Africa” English Translation. New Haven, CT: Yale University Press, 1977.Google Scholar
Bergstein, Mary. “Donatello’s ‘Gattamelata’ and Its Humanist Audience.” Renaissance Quarterly 55, no. 3 (2002): 833–68.CrossRefGoogle Scholar
Berrigan, Joseph R.A Tale of Two Cities: Verona and Padua in the Late Middle Ages.” In Art and Politics in Late Medieval and Early Renaissance Italy, 1250–1500: Notre Dame Conferences in Medieval Studies 2, 6780. Notre Dame, IN: University of Notre Dame Press, 1990.Google Scholar
Bertalot, Ludwig. “Cincius Romanus und seine Briefe.” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 21 (1929–30): 209–55.Google Scholar
Berti, Ernesto. “Alla scuola di Manuele Crisolora: Lettura e commento di Luciano.” Rinascimento 27 (1987): 373.Google Scholar
Berti, Ernesto. “Alle origini della fortuna di Luciano nell’Europa occidentale.” Studi classici e orienatali 37 (1987): 303–61.Google Scholar
Berti, Ernesto. “Uno scriba greco-latino: Il codice Vat. Urb. gr. 121 e la prima versione del Caronte di Luciano.” Rivista di filologia e di istruzione classica 113 (1985): 416–45.Google Scholar
Billanovich, Giuseppe. “Giovanni del Virgilio, Pietro da Moglio, Francesco da Fiano.” Italia medioevale e umanistica 7 (1964): 203–34, 279324.Google Scholar
Billanovich, Giuseppe. Petrarca e Padova. Padua: Antenore, 1976.Google Scholar
Billanovich, Giuseppe. Petrarca letterato: Lo scrittoio del Petrarca. Rome: Edizione di Storia e Letteratura, 1947.Google Scholar
Billanovich, Giuseppe. “Petrarch and the Textual Tradition of Livy.” Journal of the Warburg and Courtauld Institutes 14, nos. 3–4 (1951): 137208.CrossRefGoogle Scholar
Billanovich, Giuseppe. “I primi umanisti e le tradizioni dei classici latini.” Discorsi universitari 14 (1953): 1821.Google Scholar
Billanovich, Guido. Il preumanesimo Padovano. In Storia della cultura Veneta. Vol. 2. Vicenza: Pozza, 1976.Google Scholar
Billanovich, Guido. “Veterum vestigia vatum: Nei carmi dei preumanisti Padovani.” In Italia Medioevale e Umanistica, edited by Billanovich, Giuseppe, 125, 129, 155243. Vol. 1. Padua: Antenore, 1958.Google Scholar
Black, Robert. Education and Society in Florentine Tuscany. Leiden: Brill, 2007.CrossRefGoogle Scholar
Black, Robert. “Humanism.” In The New Cambridge Medieval History, edited by Allmand, Christopher, 7:243–77. Cambridge: Cambridge University Press, 2008.Google Scholar
Black, Robert. Humanism and Education in Medieval and Renaissance Italy: Tradition and Innovation in Latin Schools from the Twelfth to the Fifteenth Century. Cambridge: Cambridge University Press, 2001.CrossRefGoogle Scholar
Blunt, Anthony. “Alberti.” In Artistic Theory in Italy: 1450–1600, 122. Oxford: Oxford University Press, 1962.Google Scholar
Bober, Phyllis Pray, and Rubinstein, Ruth. Renaissance Artists and Antique Sculpture: A Handbook of Sources. Oxford: Oxford University Press, 2011.Google Scholar
Bolgar, Robert Ralph. “Collapse and New Beginnings.” In The Classical Heritage and Its Beneficiaries, 239–64. Cambridge: Cambridge University Press, 1973.CrossRefGoogle Scholar
Bolland, Andrea. “Art and Humanism in Early Renaissance Padua: Cennini, Vergerio and Petrarch on Imitation.” Renaissance Quarterly 49, no. 3 (1996): 469–87.CrossRefGoogle Scholar
Böninger, Lorenz. “Leon Battista Alberti as a Student of the Florentine University and the Priory of San Martino a Gangalandi (1429–1430).” In Renaissance Politics and Culture: Essays in Honour of Robert Black, edited by Davies, Jonathan and Monfasani, John, 141–54. Leiden: Brill, 2021.Google Scholar
Borsi, Franco. Leon Battista Alberti. New York: Harper and Row, 1977.Google Scholar
Borsi, Stefano. Leon Battista Alberti e l’antichità. Florence: Polistampa, 2004.Google Scholar
Boskovits, Miklós. “Cennino Cennini: Pittore nonconformista.” Mitteilungen des Kunsthistorischen Institutes in Florenz 17, nos. 2–3 (1973): 201–22.Google Scholar
Bourda, Louise. The Franciscans and Art Patronage in Late Medieval Europe. Cambridge: Cambridge University Press, 2004.Google Scholar
Bressler, Richard. Frederick II: A Wonder of the World. Yardley, PA: Westholme, 2015.Google Scholar
Brett, Annabelle. Marsilius of Padua: Defender of the Peace. Cambridge: Cambridge University Press, 2005.Google Scholar
Bronstein, Léo. Altichiero: L’artiste et son oeuvre. Paris: Vrin, 1932.Google Scholar
Brown, Patricia Fortini. “The Antiquarianism of Jacopo Bellini.” Artibus et Historiae 13, no. 26 (1992): 6584.CrossRefGoogle Scholar
Burckhardt, Jacob. The Civilization of the Renaissance in Italy. Edited by Murray, Peter and Burke, Peter. Translated by S. G. C. Middlemore. London: Penguin Classics, 1990.Google Scholar
Burke, Peter. The Italian Renaissance: Culture and Society in Italy. Princeton, NJ: Princeton University Press, 2000.Google Scholar
Burroughs, Charles. “Grammar and Expression in Early Renaissance Architecture: Brunelleschi and Alberti.” Anthropology and Aesthetics, no. 34 (Autumn 1998): 39–63.CrossRefGoogle Scholar
Calcaterra, Carlo. Alma mater studiorum: L’Università di Bologna nella storia della cultura e della civiltà. Bologna: N. Zanichelli, 1948.Google Scholar
Campbell, Stephen J. The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy. Chicago: University of Chicago Press, 2019.CrossRefGoogle Scholar
Campbell, Stephen J., and Cole, Michael W.. Italian Art History. London: Thames and Hudson, 2012.Google Scholar
Camporeale, Salvatore. “Poggio Bracciolini versus Lorenzo Valla: The Orationes in Laurentium Vallam.” In Perspectives on Early Modern and Modern Intellectual History: Essays in Honor of Nancy Struever, edited by Marino, Joseph and Schlitt, Melinda W., 89115. Rochester, NY: University of Rochester Press, 2001.Google Scholar
Cardini, Roberto. “Un nuovo reperto Albertiano.” In Alberti e i libri, moderni e antichi. Vols. 2 and 3. Florence: Polistampa, 2004–5.Google Scholar
Cast, David. “Aurispa, Petrarch, and Lucian: An Aspect of Renaissance Translation.” Renaissance Quarterly 27, no. 2 (1974): 157–73.CrossRefGoogle Scholar
Cast, David. The Calumny of Apelles: A Study in the Humanist Tradition. New Haven, CT: Yale University Press, 1981.Google Scholar
Celenza, Christopher S. The Intellectual World of the Italian Renaissance: Language, Philosophy and the Search for Meaning. New York: Cambridge University Press, 2018.Google Scholar
Celenza, Christopher S. Petrarch: Everywhere a Wanderer. London: Reaktion, 2017.Google Scholar
Celenza, Christopher S. Renaissance Humanism and the Papal Curia: Lapo da Castiglionchio the Younger’s “De Curiae Commodis.” Ann Arbor: University of Michigan Press, 1999.Google Scholar
Cessi, Roberto. “Il soggiorno di Lorenzo e Leon Battista Alberti a Padova.” Archivio storico italiano 5, no. 43 (1909): 351–57.Google Scholar
Chiavno, Luca, Gianfranco, Ferlisi, and Maria Vittoria, Grassi, eds. Leon Battista Alberti e il Quattrocento. Mantua: Olschki, 2000.Google Scholar
Cian, Vittorio. La coltura e l’italianità di Venezia nel Rinascimento. Bologna: N. Zanichelli, 1905.Google Scholar
Ciola, Rossana. “Il ‘De Generatione’ di Giovanni Da Nono: Edizione critica e ‘fortuna.’” PhD diss., University of Padua, 1985.Google Scholar
Clark, Albert C. “The Reappearance of the Texts of the Classics.” Oxford Bibliographical Society, 1921. Transcribed by Roger Pearse. Tertullian Project, 2001.Google Scholar
Clark, Kenneth. “An Early Quattrocento Triptych from Santa Maria Maggiore, Rome.” Burlington Magazine 93, no. 584 (1951): 339–47.Google Scholar
Clark, Kenneth. Leon Battista Alberti on Painting: Annual Italian Lecture of the British Academy. Proceedings of the British Academy. London: Cumberledge, 1944.Google Scholar
Clark, Kenneth. “The Literature of Art: Review of Lorenzo Ghiberti, by Richard Krautheimer.” Burlington Magazine 100, no. 662 (May 1958): 175–84.Google Scholar
Coarelli, Filippo. “Complete Bibliography.” In Rome and Environs: An Archeological Guide Berkeley: University of California Press, 2007.Google Scholar
Colombo, Cesare. “Gasparino Barzizza a Padova: Nuovi ragguagli da lettere inedite.” Quaderni per la storia della Università di Padova 2 (1969): 127.Google Scholar
Cortese, Libia, and Cortese, Dino. Giovanni Conversini di Ravenna, 1343–1408: L’origine della famiglia di Carrara e il racconto del suo primo impiego a Corte. Padua: Centro Studi Antoniana, 1984.Google Scholar
Cox-Rearick, Janet. “Themes of Time and Rule at Poggio a Caiano: The Portico Frieze of Lorenzo il Magnifico.” Mitteilungen des Kunsthistorischen Institutes in Florenz 26, no. 2 (1982): 167210.Google Scholar
Cracolici, Stefano. “Flirting with the Chameleon: Alberti on Love.” Modern Language Notes 121, no. 1 (2006): 102–29.Google Scholar
Cranz, F. Edward. “The Studia Humanitatis and Litterae in Cicero and Leonardo Bruni.” In Perspectives on Early Modern and Modern Intellectual History: Essays in Honor of Nancy S. Struever, edited by Marino, Joseph and Schlitt, Melinda W., 227. Rochester, NY: University of Rochester Press, 2001.Google Scholar
Crombie, Alistair Cameron. Robert Grosseteste and the Origins of Experimental Science, 1100–1700. Oxford: Clarendon Press, 1953.Google Scholar
D’Ancona, Alessandro. Origini del teatro italiano. Vol. 1. Torino: Loescher, 1891.Google Scholar
Datchev, Lilian. “Ciriaco d’Ancona and the Beginnings of Epigraphy.” Renaissance Quarterly 76, no. 2 (Summer 2023): 444–96.CrossRefGoogle Scholar
Davis, Charles. “Aspects of Imitation in Cavino’s Medals.” Journal of the Warburg and Courtauld Institutes 41 (1978): 331–34.CrossRefGoogle Scholar
Dean, Trevor, “Criminal Justice in Mid-Fifteenth Century Bologna.” In Crime, Society and the Law, edited by Dean, Trevor and Lowe, K. J. P., 1639. Cambridge: Cambridge University Press, 1994.Google Scholar
Dempsey, Charles. Inventing the Renaissance Putto. Chapel Hill: University of North Carolina Press, 2001.Google Scholar
Derbes, Anne. Picturing the Passion in Late Medieval Italy: Narrative Painting, Franciscan Ideologies and the Levant. Cambridge: Cambridge University Press, 1996.Google Scholar
Derbes, Anne, and Sandona, Mark. “Ave charitate plena: Variations on the Theme of Charity in the Arena Chapel.” Speculum 76, no. 3 (July 2001): 599637.Google Scholar
Dhanens, Elisabeth. Hubert and Jan van Eyck. New York: Alpine Fine Arts Collection, 1980.Google Scholar
Dhombres, Jean. “Shadows of a Circle, or What Is There to Be Seen? Some Figurative Discourses in the Mathematical Sciences during the Seventeenth Century.” In The Treatise on Perspective: Published and Unpublished, edited by Massey, Lyle, 177212. New Haven, CT: Yale University Press, 1997.Google Scholar
Dini, Francesco. “Cennino di Drea Cennini da Colle Valdelsa.” Miscellanea storica della Valdelsa 13 (1905): 7687.Google Scholar
Doehlemann, Karl. Die Perspektive der Brüder van Eyck. Leipzig: B. G. Teubner, 1906.Google Scholar
Doutrepont, Georges. Inventaire de la librairie de Philip le Bon, 1420. Brussels: Kiessling & Co., 1906.Google Scholar
Drogin, David. “Art, Patronage, and Civic Identities in Renaissance Bologna.” In The Court Cities of Northern Italy, edited by Rosenberg, Charles M., 244325. Cambridge: Cambridge University Press, 2010.Google Scholar
Dunston, Alfred J. Four Centres of Classical Learning in Renaissance Italy. Sydney: Sydney University Press, 1972.Google Scholar
Eastwood, Bruce. “Alhazen, Leonardo, and Late-Medieval Speculation on the Inversion of Images in the Eye.” Annals of Science 43, no. 5 (1986): 413–46.CrossRefGoogle ScholarPubMed
Edgerton, Samuel Y. Jr.Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine.” Journal of the Warburg and Courtauld Institutes 32 (1969): 109–34.CrossRefGoogle Scholar
Edgerton, Samuel Y. Jr.Alberti’s Perspective: A New Discovery and a New Evaluation.” Art Bulletin 48, nos. 3–4 (September–December 1966): 367–78.Google Scholar
Edgerton, Samuel Y. Jr. The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe. Ithaca, NY: Cornell University Press, 2009.Google Scholar
Edgerton, Samuel Y. Jr. The Renaissance Rediscovery of Linear Perspective. New York: Basic Books, 1975.Google Scholar
Edwards, Mary. “The Chapel of S. Felice in Padua as Gesamtkunstwerk.” Journal of the Society of Architectural Historians 47, no. 2 (June 1988): 160–76.CrossRefGoogle Scholar
Eisler, Colin. The Genius of Jacopo Bellini. New York: Harry Abrams, 1989.Google Scholar
El-Bizri, Nader. “A Philosophical Perspective on Alhazen’s Optics.” Arabic Sciences and Philosophy 15 (2005): 189218.CrossRefGoogle Scholar
Elkins, James. “On the Arnolfini Portrait and the Lucca Madonna: Did Jan van Eyck Have a Perspectival System?Art Bulletin 73, no. 1 (1991): 5362.CrossRefGoogle Scholar
Everson, Jane E. The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the World of Rome. Oxford: Oxford University Press, 2001.CrossRefGoogle Scholar
Fabris, Giovanni. “La cronaca di Giovanni da Nono.” Bollettino del Museo Civico di Padova 8 (1932): 133.Google Scholar
Fabris, Giovanni. Cronache e cronisti padovani. Padua: Rebellato Scrittori, 1977.Google Scholar
Fabris, Giovanni. Scritti di arte e storia padovana. Padua: Rebellato Scrittori, 1977.Google Scholar
Field, Judith Veronica. The Invention of Infinity: Mathematics and Art in the Renaissance. New York: Oxford University Press, 2005.Google Scholar
Field, Judith Veronica. “Piero della Francesca’s Perspective Treatise.” In The Treatise on Perspective: Published and Unpublished, edited by Massey, Lyle, 6378. New Haven, CT: Yale University Press, 1997.Google Scholar
Fitzgerald, Ann. “Guariento d’Arpo.” Memories of the American Academy in Rome 9 (1931): 167–98.Google Scholar
Flores D’Arcais, Francesca. Altichiero e Avanzo: La Cappella di San Giacomo. Milan: Electra, 2001.Google Scholar
Flores D’Arcais, Francesca. Guariento: Tutta la pittura. Venice: Edizioni Alfieri, 1965.Google Scholar
Forster, Richard. “Die Verleumdung des Apelles in der Renaissance.” Jahrbuch der Königlich Preussischen Kunstsammlungen 8 (1887): 2740.Google Scholar
Francini, Vittorio. Saggio di ricerche sull’istituto del podestà nei comuni medioevale. Bologna: Nicola Zanichelli, 1912.Google Scholar
Frojmovic, Eva. “Giotto’s Allegories of Justice and the Commune in the Palazzo della Ragione in Padua: A Reconstruction.” Journal of the Warburg and Courtauld Institutes 59 (1996): 2447.CrossRefGoogle Scholar
Frojmovic, Eva. “Giotto’s Circumspection.” Art Bulletin 89, no. 2 (2007): 195210.CrossRefGoogle Scholar
Frölich-Bum, Lily. “Bemerkungen zu den Zeichnungen des Jacop Bellini und seiner Kunst.” In Mitteilungen der Gesellschaft für Vervielfältigende Kunst: Beilage der “Graphischen Künste.” Vol. 3. Vienna, 1916.Google Scholar
Fubini, Riccardo. Humanism and Secularization from Petrarch to Valle. Translated by Martha King. Durham, NC: Duke University Press, 2003.Google Scholar
Furlan, Francesco. “Per un ritratto dell’Alberti.” Albertiana 14 (2011): 4356.Google Scholar
Furlan, Francesco, and Matton, Sylvain. “BAPTISTÆ ALBERTI SIMIÆ ET des NONNULLIS EIUSDEM BAPTISTÆ APOLOGIS QUI NONDUM in VULGUS PRODIERE: Autour des Intercenales inconnues de Leon Battista Alberti.” Bibliothèque d’humanisme et renaissance 55, no. 1 (1993): 125–35.Google Scholar
Gadol, Joan. Leon Battista Alberti: Universal Man of the Early Renaissance. Chicago: University of Chicago Press, 1969.Google Scholar
Gardner, Julian. “The Stefaneschi Altarpiece: A Reconsideration.” Journal of the Warburg and Courtauld Institutes 37 (1974): 57103.CrossRefGoogle Scholar
Garin, Eugenio. “La cultura milanese nella prima metà del XV secolo.” Storia di Milano 6 (1955): 547608.Google Scholar
Garin, Eugenio. Educazione umanistica in Italia. Bari: Laterza, 1970.Google Scholar
Garin, Eugenio. “Il pensiero di L. B. Alberti nella cultura del Rinascimento.” Belfagor 27 (1972): 501–21.Google Scholar
Garin, Eugenio. Italian Humanism: Philosophy and Civic Life in the Renaissance. Translated by Munz, Peter. New York: Harper and Row, 1965.Google Scholar
Gasparotto, Cesira. “Gli ultimi affreschi venuti in luce nelle Reggia dei da Carrara e una documentazione inedita sulla Camera di Camillo.” Atti e memorie dell’Accademia Patavina di scienze, lettere ed articoli 81 (1968–69): 237–61.Google Scholar
Gasparotto, Cesira. La Reggia dei da Carrara: Il Palazzo di Ubertino e le nuove stanze dell’Academia Patavina. Padua: Società Cooperativa Tipografica, 1968.Google Scholar
Gilbert, Neal W. “A Letter of Giovanni Dondi dall’Orologioa to Fra’ Guglielmo Centueri: A Fourteenth-Century Episode in the Quarrel of the Ancients and the Moderns.” Viator: Medieval and Renaissance Studies, no. 8 (1977): 299–346.CrossRefGoogle Scholar
Gill, Meredith J.The Carrara among the Angels in Trecento Padua.” In Venice and the Veneto during the Renaissance: Celebrating the Legacy of Benjamin Kohl, edited by Knapton, Michael, Law, John E., and Smith, Alison A., 367–83. Florence: Firenze University Press, 2014.Google Scholar
Gill, Meredith J.The Fourteenth and Fifteenth Centuries.” In Rome: Art Centers of the Renaissance II, edited by Hall, Marcia B., 27107. Cambridge: Cambridge University Press, 2005.Google Scholar
Gilleland, Brady B.The Date of Cicero’s Partitiones oratoriae.” Classical Philology 56, no. 1 (1961): 2932.CrossRefGoogle Scholar
Giunta, Claudio. “Le rime di Alberto degli Albizi.” In Estravaganti, disperse, apocrifi Petrarcheschi, edited by Berra, Claudia and Galli, Paola Vecchi, 363–70. Milan: Cisalpino, 2011.Google Scholar
Goldstein, Carl. “Rhetoric and Art History in the Italian Renaissance and Baroque.” Art Bulletin 73, no. 4 (1991): 641–52.Google Scholar
Gombrich, E. H.A Classical Topos in the Introduction to Alberti’s Della pittura.” Journal of the Warburg and Courtauld Institutes 20, nos. 1–2 (1957): 173.CrossRefGoogle Scholar
Good, James M. M., and Roberts, Richard H.. “Introduction: Persuasive Discourse in and between Disciplines in the Human Sciences.” In The Recovery of Rhetoric: Persuasive Discourse and Disciplinarity in the Human Sciences, edited by Good, James M. M. and Roberts, Richard H., 123. London: Bristol Classical Press, 1993.Google Scholar
Gordon, Phyllis, and Goodhart, Walter, eds. Two Renaissance Book Hunters: The Letters of Poggius Bracciolini to Nicolaus de Niccolis. New York: Columbia University Press, 1974.Google Scholar
Gorlata, Laura. “La Repubblica di Venezia e le sue relazioni commerciali con la penisola istriana dal XI al XIII secolo.” Pagine istriane 3–4 (1986): 18–29.Google Scholar
Gothein, Percy. “Zaccaria Trevisan.” Archivio Veneto, 5th ser., 21 (1937): 159.Google Scholar
Grafton, Anthony. “Historia and Istoria: Alberti’s Terminology in Context.” I Tatti Studies 8 (2000): 3768.CrossRefGoogle Scholar
Grafton, Anthony. Leon Battista Alberti: Master Builder of the Italian Renaissance. New York: Hill and Wang, 2000.Google Scholar
Grafton, Anthony. “Magic and Technology in Early Modern Europe.” Dibner Library Lecture. Washington, DC: Smithsonian Institution, 2002.Google Scholar
Grafton, Anthony, and Jardine, Lisa. From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth and Sixteenth-Century Europe. Cambridge, MA: Harvard University Press, 1986.Google Scholar
Grafton, Anthony, and Jardine, Lisa. “Humanism and the School of Guarino: A Problem of Evaluation.” Past and Present 96 (1982): 5180.CrossRefGoogle Scholar
Grant, William Leonard. The “Partitione Oratoriae” of Cicero: An Introduction and Commentary. Toronto: University of Toronto, 1943.Google Scholar
Grayson, Cecil. “The Text of Alberti’s De pictura.” Italian Studies 23, no. 1 (1968): 7192.CrossRefGoogle Scholar
Green, Judy, and Green, Paul S.. “Alberti’s Perspective: A Mathematical Comment.” Art Bulletin 69, no. 4 (1987): 641–45.Google Scholar
Grendler, Paul. “The Organization of Primary and Secondary Education in the Italian Renaissance.” Catholic Historical Review 71, no. 2 (1985): 185205.Google Scholar
Grendler, Paul. Schooling in Renaissance Italy: Literacy and Learning, 1300–1600. Baltimore: Johns Hopkins University Press, 1989.CrossRefGoogle Scholar
Grendler, Paul. The Universities of the Italian Renaissance. Baltimore: Johns Hopkins University Press, 2002.CrossRefGoogle Scholar
Gualdo, Germano. “Giovanni Toscanella: Nota biografica.” Italia medioevale e umanistica 13 (1970): 2958.Google Scholar
Günther, Hubertus. “L’idea di Roma Antica nella ‘Roma Instaurata’ di Flavio Biondo.” In Le due Rome del Quattrocento: Melozzo, Antoniazzo e la cultura artistica del’400 romano, edited by Rossi, Sergio and Valeri, Stefano, 380–93. Rome: Lithos, 1997.Google Scholar
Gurrieri, Giosue, ed. “La biblioteca di Pomposa e la cultura umanistica italiana.” In Pomposia Monasterium in Italia Princeps: IX Centenario del Campanile (1063–1963). Pomposa: Monastery of Pomposa, 1963.Google Scholar
Hale, William. “Benzo of Alexandria and Catullus.” Classical Philology 56 (1915): 5665.Google Scholar
Hall, Marcia B. Rome: Art Centers of the Italian Renaissance. Cambridge: Cambridge University Press, 2005.Google Scholar
Hankins, James. “The ‘Baron Thesis’ after Forty Years and Some Recent Studies on Leonardo Bruni.” Journal of the History of Ideas 56, no. 2 (April 1995): 309–38.CrossRefGoogle Scholar
Hankins, James. “Garin and Paul Oskar Kristeller: Existentialism, Neo-Kantianism and the Post-War Interpretation of Renaissance Humanism.” In Dal Rinascimento all’Illuminismo, edited by Ciliberto, Michele, 481505. Rome: Edizioni di Storia e Letteratura, 2011.Google Scholar
Hankins, James, and Palmer, Ada. The Recovery of Ancient Philosophy in the Renaissance: A Brief Guide. Florence: Olschki, 2008.Google Scholar
Hartt, Frederick, and Wilkins, David G., History of Italian Renaissance Art: Painting, Sculpture and Architecture. New York: H. N. Abrams, 2003.Google Scholar
Haskell, Francis, and Penny, Nicholas. Taste and the Antique: The Lure of Classical Sculpture, 1500–1900. New Haven, CT: Yale University Press, 1982.Google Scholar
Haskins, Charles. “The Life of Medieval Students as Illustrated by Their Letters.” American Historical Review 3, no. 2 (January 1898): 203–29.CrossRefGoogle Scholar
Haskins, Charles. The Rise of Universities. Ithaca, NY: Great Seal Books, 1957.Google Scholar
Heffernan, James A. W.Alberti on Apelles: Word and Image in De pictura.” International Journal of the Classical Tradition 2, no. 3 (1996): 345–59.CrossRefGoogle Scholar
Hetherington, Paul. “The Mosaics of Pietro Cavallini in Santa Maria in Trastevere.” Journal of the Warburg and Courtauld Institutes 33 (1970): 84106.CrossRefGoogle Scholar
Hetherington, Paul. Pietro Cavallini: A Study in the Art of Late Medieval Rome. London: Sagittarius Press, 1979.Google Scholar
Sir Hill, George Francis. Medals of the Renaissance. Oxford: Clarendon Press, 1920.Google Scholar
Sir Hill, George Francis. Pisanello. London: Duckworth, 1905.Google Scholar
Hills, Paul. The Light of Early Italian Painting. New Haven, CT: Yale University Press, 1987.Google Scholar
Holmes, George. The Florentine Enlightenment, 1400–1450. New York: Oxford University Press, 1992.Google Scholar
Hope, Charles. “The Structure and Purpose of De pictura.” In Leon Battista Alberti e il Quattrocento: Studi in onore di Cecil Grayson e Ernst Gombrich, edited by Chiavoni, Luco, Ferlisi, Gianfranco, and Grassi, Maria Vittoria, 251–67. Mantua: Olschki, 1998.Google Scholar
Hope, Charles, and McGrath, Elizabeth. “Artists and Humanists.” In The Cambridge Companion to Renaissance Humanism, edited by Kraye, Jill, 161–65. Cambridge: Cambridge University Press, 2007.Google Scholar
Hunter, John. “Who Is Jan van Eyck’s Cardinal Nicolo Albergati?Art Bulletin 75, no. 2 (1993): 207–18.Google Scholar
Hyde, John Kenneth. “Italian Social Chronicles in the Middle Ages.” Bulletin of the John Rylands Library 49, no. 1 (1960): 107–32.Google Scholar
Hyde, John Kenneth. Padua in the Age of Dante. Manchester: Manchester University Press, 1966.Google Scholar
Ivins, William. “The Albertian Scheme.” Bulletin of the Metropolitan Museum of Art 31, no. 12 (1936): 278–80.CrossRefGoogle Scholar
Janitschek, Hubert. Leone Battista Alberti’s kleinere kunsttheoretische Schriften. Vienna: Braumuller, 1877.Google Scholar
Jarzombek, Mark. On Leon Battista Alberti: His Literary and Aesthetic Theory. Cambridge, MA: MIT Press, 1989.Google Scholar
Jarzombek, Mark. “The Structural Problematic of Leon Battista Alberti’s De pictura.” Renaissance Studies 4 no. 3 (1990): 273–87.CrossRefGoogle Scholar
Jones, W. H. S.Quintilian, Plutarch, and the Early Humanists.” Classical Review 21, no. 2 (1907): 3343.CrossRefGoogle Scholar
Joost-Gaugier, Christiane. The Drawing Books of Jacopo Bellini, Their Nature and Significance in the Development of Renaissance Art of the Fifteenth Century. Cambridge, MA: Harvard University Press, 1973.Google Scholar
Joost-Gaugier, Christiane. “The Early Beginnings of the Notion of ‘Uomini Famosi’ and the ‘De Viris Illustribus’ in Greco-Roman Literary Tradition.” Artibus et Historiae 3, no. 6 (1982): 97115.CrossRefGoogle Scholar
Joost-Gaugier, Christiane. “Jacopo Bellini’s Interest in Perspective and Its Iconographical Significance.” Zeitschrift für Kunstgeschichte 38, no. 1 (1975): 128.CrossRefGoogle Scholar
Kantorowicz, Ernst Hartwig. Frederick the Second, 1194–1250. New York: Frederick Ungar, 1957.Google Scholar
Katz, M. Barry. Leon Battista Alberti and the Humanist Theory of the Arts. Washington, DC: University Press of America, 1977.Google Scholar
Kemp, Martin. Behind the Picture: Art and Evidence in the Italian Renaissance. New Haven, CT: Yale University Press, 1997.Google Scholar
Kemp, Martin. Leon Battista Alberti: On Painting. London: Penguin Books, 1991.Google Scholar
Kemp, Wolfgang. “Zum Programm von Stefaneschi-Altar und Navicella.” Zeitschrift für Kunstgeschichte 30 (1967): 309–20.CrossRefGoogle Scholar
Kibre, Pearl. Scholarly Privileges in the Middle Ages: The Rights, Privileges, and Immunities of Scholars and Universities at Bologna, Padua, Paris, and Oxford. Cambridge, MA: Mediaeval Academy of America, 1962.Google Scholar
King, Margaret L. Venetian Humanism in an Age of Patrician Dominance. Princeton, NJ: Princeton University Press, 1986.CrossRefGoogle Scholar
Kircher, Timothy. Living Well in Renaissance Europe: The Virtues of Humanism and the Irony of Leon Battista Alberti. Tempe: Arizona Center for Medieval and Renaissance Studies, 2012.Google Scholar
Kirkham, Victoria, and Maggi, Armando, eds. Petrarch: A Critical Guide to the Complete Works. Chicago: University of Chicago Press, 2009.CrossRefGoogle Scholar
Klein, Robert. Form and Meaning: Essays on Renaissance and Modern Art. New York: Viking Press, 1979.Google Scholar
Klein, Robert. “Pomponius Gauricus on Perspective.” Art Bulletin 43, no. 3 (September 1961): 211–30.Google Scholar
Kohl, Benjamin G.The Changing Concept of the ‘Studia Humanitatis’ in the Early Renaissance.” Renaissance Studies 6, no. 2 (June 1992): 185209.CrossRefGoogle Scholar
Kohl, Benjamin G. Culture and Politics in Early Renaissance Padua. Aldershot: Ashgate, 2001.Google Scholar
Kohl, Benjamin G.‘De Varietate Fortunae’ by Poggio Bracciolini: Outi Merisalo.” Renaissance Quarterly 48, no. 2 (1995): 409–11.Google Scholar
Kohl, Benjamin G. Padua under the Carrara: 1318–1405. Baltimore: Johns Hopkins University Press, 1998.Google Scholar
Kohl, Benjamin G.Petrarch’s Prefaces to de Viris Illustribus.” History and Theory 13, no. 2 (1974): 132–44.CrossRefGoogle Scholar
Kohl, Benjamin G.The Scrovegni in Carrara Padua and Enrico’s Will.” In The Arena Chapel and the Genius of Giotto: Padua, Giotto, and the World of Early Italian Art: An Anthology of Literature, edited by Ladis, Andrew, 343–49. New York: Garland, 1998.Google Scholar
Kohl, Benjamin G. The Works of Giovanni di Conversino da Ravenna: A Catalogue of Manuscripts and Editions. New York: Fordham University Press, 1975.Google Scholar
Kohl, Benjamin G., and Witt, Ronald G.. The Earthly Republic: Italian Humanists on Government and Society. Philadelphia: University of Pennsylvania Press, 1997.Google Scholar
Krautheimer, Richard. “Alberti and Vitruvius.” In The Renaissance and Mannerism, edited by Meiss, Millard, Kubler, George, Wittkower, Rudolf, Lee, Rensselaer, and Rubin, Ida F., 4252. Princeton, NJ: Princeton University Press, 1963.Google Scholar
Krautheimer, Richard. Lorenzo Ghiberti. Princeton, NJ: Princeton University Press, 1970.Google Scholar
Kraye, Jill. The Cambridge Companion to Renaissance Humanism. Cambridge: Cambridge University Press, 2007.Google Scholar
Krinsky, Carol Herselle. “Seventy-Eight Vitruvius Manuscripts.” Journal of the Warburg and Courtald Institutes 30 (1967): 3670.CrossRefGoogle Scholar
Kristeller, Paul Oskar. “Un ‘Ars Dictaminis’ di Giovanni del Virgilio.” Studies in Renaissance Thought and Letters 3, no. 7 (1993): 487509.Google Scholar
Kristeller, Paul Oskar. “The European Diffusion of Italian Humanism.” Italica 39, no. 1 (March 1962): 120.CrossRefGoogle Scholar
Kristeller, Paul Oskar. “Humanism and Scholasticism in the Italian Renaissance.” In Renaissance Thought and Its Sources, edited by Mooney, Michael, 85105. New York: Columbia University Press, 1979.Google Scholar
Kristeller, Paul Oskar, “Il Petrarca, l’umanesimo e la scolastica.” Lettere italiene 7, no. 4 (October–December 1955): 367–88.Google Scholar
Kristeller, Paul Oskar, Studies in Renaissance Thought and Letters. Vol. 3. Rome: Storia e Letteratura, 1993.Google Scholar
Kristeller, Paul Oskar, “The University of Bologna and the Renaissance.” Studi e memorie per la storia dell’Università di Bologna 1 (1985): 313–24.Google Scholar
Kristeller, Paul Oskar, ed. Iter Italicum: A Finding List of Uncatalogued or Incompletely Catalogued Humanistic Manuscripts of the Renaissance in Italian and Other Libraries. Vol. 1, Italy: Agregento to Novara. London: Warburg Institute; Leiden: E. J. Brill, 1998. Vol. 2, Italy: Ovieto to Volterra–Vatican City. Leiden: Brill, 1998.Google Scholar
Kuehn, Thomas. “Family Solidarity in Exile and in Law: Alberti Lawsuits of the Early Quattrocento.” Speculum 78, no. 2 (2003): 421–39.CrossRefGoogle Scholar
Ladis, Andrew, ed. The Arena Chapel and the Genius of Giotto: Padua. New York: Garland, 1998.Google Scholar
Lawrence, Richard Hoe. Medals by Giovanni Cavino, “the Paduan.” New York: privately printed, 1883.Google Scholar
Lee, Rensselaer W. Ut Pictura Poesis: The Humanistic Theory of Painting. New York: W. W. Norton, 1967.Google Scholar
Lefaivre, Liane. Leon Battista Alberti’s Hypnerotomachia Poliphili: Recognizing the Architectural Body in the Early Italian Renaissance. Cambridge, MA: MIT Press, 1997.Google Scholar
Lehmann, Phyllis Williams. “Alberti and Antiquity: Additional Observations.” Art Bulletin 70, no. 3 (1988): 388400.CrossRefGoogle Scholar
Liedtke, Walter A. The Royal Horse and Rider: Painting, Sculpture, and Horsemanship, 1500–1800. New York: Abaris Books, 1990.Google Scholar
Lindberg, David C.Alkindi’s Critique of Euclid’s Theory of Vision.” Isis 62, no. 4 (Winter 1971): 469–89.CrossRefGoogle Scholar
Lindberg, David C.Lines of Influence in Thirteenth-Century Optics: Bacon, Witelo, and Pecham.” Speculum: A Journal of Medieval Studies 46, no. 1 (1971): 6683.CrossRefGoogle ScholarPubMed
Lindberg, David C. Science in the Middle Ages. Chicago: University of Chicago Press, 1978.Google Scholar
Lindberg, David C. Theories of Vision from Al-Kindi to Kepler. Chicago: University of Chicago Press, 1996.Google Scholar
Lindberg, David C.The Theory of Pinhole Images from Antiquity to the Thirteenth Century.” Archive for History of Exact Sciences 5, no. 2 (1968): 154–76.CrossRefGoogle Scholar
Lindberg, David C.The Theory of Pinhole Images in the Fourteenth Century.” Archive for History of Exact Sciences 6, no. 4 (1970): 299325.CrossRefGoogle Scholar
Locatelli, Giuseppe. “L’istruzione a Bergamo e la Misericordia Maggiore.” Bergomum: Bolletino della Civica Biblioteca di Bergamo 5 (1911): 21100.Google Scholar
Lummus, David G.Albertino Mussato, Poet of the City.” In The City of Poetry: Imagining the Civic Role of the Poet in Fourteenth-Century Italy, 2262. Cambridge Studies in Medieval Literature. Cambridge: Cambridge University Press, 2020.CrossRefGoogle Scholar
Madersteig, Giovanni. “I ritratti del Petrarca e suoi amici de Padova.” Italia medioevale e umanistica, no. 17 (1974): 251–80.Google Scholar
Maggi, Armando. “To See as Another: Testamentum.” In Petrarch: A Critical Guide to the Complete Works, 333–45. Chicago: University of Chicago Press, 2009.Google Scholar
Magni, Domenico. Gasparino Barzizza: Una figura del primo umanesimo. Bergamo: Bollettino della Civica Biblioteca, 1937.Google Scholar
Mardersteig, Giovanni. “I ritratti del Petrarca e suoi amici di Padova.” Italia medioevale e umanistica, no. 17 (1974): 251–80.Google Scholar
Marino, Joseph, and Melinda W. Schlitt eds. Perspectives on Early Modern and Modern Intellectual History: Essays in Honor of Nancy S. Struever. Rochester, NY: University of Rochester Press, 2001.Google Scholar
Marsh, David. “Guarino of Verona’s Translation of Lucian’s Parasite.” Bibliothèque d’humanisme et renaissance 56, no. 2 (1994): 419–44.Google Scholar
Marsh, David. Lucian and the Latins: Humor and Humanism in the Early Renaissance. Ann Arbor: University of Michigan Press, 1998.CrossRefGoogle Scholar
Marsh, David. “Petrarch and Alberti.” In Studies on Alberti and Petrarch, 363–74. Abingdon: Routledge, 2016.Google Scholar
Marsh, David. “Poggio and Alberti Revisited.” In Poggio Bracciolini and the Rediscovery of Antiquity: Textual and Material Traditions, Proceedings of the Symposium Held at Bryn Mawr College on April 8–9, 2016, Edited by Ricci, Roberta and Pumroy, Eric L., 89102. Florence: Firenze University Press, 2020.Google Scholar
Marsh, David. “Preface.” In Studies on Alberti and Petrarch, ixii. Abingdon: Routledge, 2016.Google Scholar
Martines, Lauro. Power and Imagination: City States in Renaissance Italy. Baltimore: Johns Hopkins University Press, 1988.CrossRefGoogle Scholar
Martines, Lauro. The Social World of the Florentine Humanists: 1390–1460. Princeton, NJ: Princeton University Press, 1963.CrossRefGoogle Scholar
Marvin, William Theophilus Rogers. The Carrara Medals: With Notices of the Dukes of Padua, Whose Effigies They Bear. Whitefish, MT: Kessinger Publishing, 1880.Google Scholar
Masheck, Joseph. “Alberti’s Window: Art-Historiographic Notes on an Antimodernist Misprision.” Art Journal 50, no. 1 (1991): 3441.CrossRefGoogle Scholar
Maxwell, Baldwin, et al., eds. Renaissance Studies in Honor of Hardin Craig. Stanford, CA: Stanford University Press, 1941.Google Scholar
Mazzaferro, Giovanni. “The Book of the Art by Cennino Cennini (1821–1950): An Example of Dissemination of Italian Culture in the World.” Zibaldone: Estudios italianos de la Torre del Virrey 3, no. 1 (January 2015): 342–57.Google Scholar
McGrath, Geraldine. “Unknown Commentaries of Gasparino and Guiniforte Barzizza on Suetonius and Caesar.” Barberinianum Latinus. Codex. 148. Ann Arbor: University of Michigan Microfilms, 1970.Google Scholar
McHam, Sara Blake, “Renaissance Monuments to Favorite Sons.” Renaissance Studies 19, no. 4 (September 2005): 458–86.CrossRefGoogle Scholar
McKeon, Richard. “Rhetoric in the Middle Ages.” Speculum 17, no. 1 (1942): 132.CrossRefGoogle Scholar
McLaughlin, Martin. “Alberti’s Commentarium to His First Literary Work: Self-Commentary as Self-Presentation in the Philodoxeos.” In Self-Commentary in Early Modern European Literature, 1400–1700, edited by Venturi, Franceso, 2849. Leiden: Brill, 2019.CrossRefGoogle Scholar
McManamon, John M.Innovation in Early Humanist Rhetoric: The Oratory of Pier Paolo Vergerio the Elder.” Rinascimento 22 (1982): 232.Google Scholar
McManamon, John M. Pierpaolo Vergerio the Elder: The Humanist as Orator. Tempe, AZ: Medieval & Renaissance Texts & Studies, 1996.Google Scholar
Medin, Antonio. “La coltura Toscana nel Veneto duranto il medioevo.” Atti del Reale Instituto Veneto 82 (1922): 83154.Google Scholar
Meiss, Millard. “Nicholas Albergati and the Chronology of Jan van Eyck’s Portraits.” Burlington Magazine 94, no. 590 (1952): 137–46.Google Scholar
Mellini, Gian Lorenzo. Altichiero e Jacopo Avanzi. Milan: Edizioni di Comunità, 1965.Google Scholar
Merback, Mitchell. The Thief, the Cross, and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe. Chicago: University of Chicago Press, 1999.Google Scholar
Mercati, Giovanni. Il catalogo della Biblioteca di Pomposa. Rome: Poliglotta della S. C. de Propaganda Fide, 1896.Google Scholar
Mercer, R. G. G. The Teaching of Gasparino Barzizza: With Special Reference to His Place in Paduan Humanism. London: Modern Humanities Research Association, 1979.CrossRefGoogle Scholar
Meucke, Frances. “‘Gentiles Nostri’: Roman Religion and Roman Identity in Biondo Flavio’s ‘Roma triumphans.’” Journal of the Warburg and Courtauld Institutes 75 (2012): 93110.CrossRefGoogle Scholar
Miller, Peter. “Introduction: Momigliano, Antiquarianism and the Cultural Sciences.” In Momigliano and Antiquarianism: Foundations of the Modern Cultural Sciences. Toronto: University of Toronto Press, 2007.CrossRefGoogle Scholar
Momigliano, Arnaldo. “Ancient History and the Antiquarian.” Journal of the Warburg and Courtald Institutes 18, nos. 3–4 (1950): 285–90.Google Scholar
Mommsen, Theodor E.Petrarch and the Decoration of the Sala Virorum Illustrium in Padua.” Art Bulletin 34, no. 2 (June 1952): 95116.CrossRefGoogle Scholar
Mommsen, Theodor E. Petrarch’s Testament. Ithaca, NY: Cornell University Press, 1957.Google Scholar
Mooney, Michael, ed. Renaissance Thought and Its Sources. New York: Columbia University Press, 1979.Google Scholar
Morrissey, Thomas. “Emperor-Elect Sigismund, Cardinal Zabarella, and the Council of Constance.” Catholic Historical Review 69, no. 3 (1983): 353–70.Google Scholar
Moschini, Giannantonio. Della origine e delle vicende della pittura in Padova. Padua: Cresini, 1826.Google Scholar
Müllner, Karl. Reden und Briefe italienischer Humanisten: Ein Beitrag zur Geschichte der Pädagogik Humanismus. Vienna: Hölder, 1899.Google Scholar
Munz, Peter. Frederick Barbarossa: A Study in Medieval Politics. Ithaca, NY: Cornell University Press, 1969.Google Scholar
Murray, Peter. “Some Early Giotto Sources.” Journal of the Warburg and Courtauld Institutes 16, nos. 1–2 (1953): 5861.CrossRefGoogle Scholar
Nagel, Alexander, and Wood, Christopher S.. Anachronic Renaissance. New York: Zone, 2010.CrossRefGoogle Scholar
Nolhac, Pierre de. Pétrarch et l’humanisme. Paris: Bouillon, 1892.Google Scholar
Nolhac, Pierre de, and Harmsen, Tyrus G.. Petrarch’s Library. Pasadena, CA: Juniper Press, 2001.Google Scholar
North, John. “The Quadrivium.” In A History of the University in Europe. Vol. 1 of Universities in the Middle Ages, edited by de Ridder-Symoens, Hilda, 337–59. Cambridge: Cambridge University Press, 1992.Google Scholar
Osmond, Patricia J.Princeps Historiae Romanae: Sallust in Renaissance Political Thought.” Memoirs of the American Academy in Rome 40 (1995): 101–43.CrossRefGoogle Scholar
Paccaghini, Giovanni. Pisanello. London: Phaidon, 1973.Google Scholar
Paci, Gianfranco, and Sconocchia, Sergio. Ciriaco d’Ancona e la cultura antiquaria. Reggio Emilia: Anabasis, 1998.Google Scholar
Panizza, Letizia A.Textual Interpretation in Italy, 1350–1450: Seneca’s Letter I to Lucilius.” Journal of the Warburg and Courtauld Institutes 46 (1983): 4062.CrossRefGoogle Scholar
Panofsky, Erwin. Early Netherlandish Painting: Its Origins and Character. New York: Harper and Row, 1971.Google Scholar
Panofsky, Erwin. Perspective as Symbolic Form. Translated by Christopher S. Wood. Cambridge, MA: MIT Press, 1991.Google Scholar
Panofsky, Erwin. Renaissance and Renascences in Western Art. New York: Harper and Row, 1972.Google Scholar
Panofsky, Erwin. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Boulder, CO: Westview, 1972.Google Scholar
Paoletti, John T., and Radke, Gary M.. Art in Renaissance Italy. Boston: Prentice Hall, 2012.Google Scholar
Pardo, Mary.L. B. Alberti’s Dedication of Della pittura.” In Perspectives on Early Modern and Modern Intellectual History: Essays in Honor of Nancy Struever, ed. Marino, J. and Schlitt, M. W., 223–58. Rochester, NY: University of Rochester Press, 2001.Google Scholar
Parronchi, Alessandro. “Leon Battista Alberti as a Painter.” Burlington Magazine 104, no. 712 (1962): 278–80.Google Scholar
Pearson, Caspar. “The Return of the Giants: Leon Battista Alberti’s Letter to Filippo Brunelleschi.” Journal of the Warburg and Courtauld Institutes 82, no. 1 (2019): 113–41.CrossRefGoogle Scholar
Pedersen, Olaf. The First Universities: Studium generale and the Origins of University Education in Europe. Cambridge: Cambridge University Press, 2009.Google Scholar
Pellegrin, Elisabeth. La bibliothèque des Visconti et des Sforza, ducs de Milan, au XVe siècle. Paris: Vente au Service, 1955.Google Scholar
Petrucci, Armando. Writers and Readers in Medieval Italy: Studies in the History of Written Culture. Edited and translated by Radding, Charles M.. New Haven, CT: Yale University Press, 1995.Google Scholar
Pfisterer, Ulrich. Donatello und die Entdeckung der Stile, 1430–1445. Munich: Hirmer, 2002.Google Scholar
Pigman, George W. “Barzizza’s Studies of Cicero.” Working paper 55, School of Humanities, California Institute of Technology, Pasadena, 1980.Google Scholar
Pigman, George W.Gasparino Barzizza’s Treatise on Imitation.” Bibliothèque d’humanisme et renaissance 44, no. 2 (1982): 341–52.Google Scholar
Pigman, George W.Notes on Barzizza’s Correspondence.” Edited by Billanovich, Giuseppe, Campana, Agosto, and Dionisotti, Carlo. Italia mediovevale e umanistica 25 (1982): 391–98.Google Scholar
Plant, Margaret. “Fresco Painting in Avignon and Northern Italy: A Study of Some Fourteenth-Century Cycles of Saints’ Lives outside Tuscany.” PhD diss., University of Melbourne, 1981.Google Scholar
Plant, Margaret. “Patronage in the Circle of the Carrara Family: 1337–1405.” In Patronage, Art, and Society in Renaissance Italy, edited by Kent, Francis William, Simons, Patricia, and Eade, John Christopher, 177200. Oxford: Oxford University Press, 1987.Google Scholar
Plant, Margaret. “Portraits and Politics in Late Trecento Padua: Altichiero’s Frescoes in the S. Felice Chapel, S. Antonio.” Art Bulletin 63, no. 3 (September 1981): 406–25.Google Scholar
Poggi, Giovanni. Il Duomo di Firenze: Documenti sulla decorazione della chiesa e del campanile tratti dall’Archivio dell’Opera. Vol. 2 of Italienische Forschungen. Florence: Medicea, 1988.Google Scholar
Pope-Hennessy, John. The Portrait in the Renaissance. Princeton, NJ: Princeton University Press, 1989.Google Scholar
Powell, James M. Albertanus of Brescia: The Pursuit of Happiness in the Early Thirteenth Century. Philadelphia: University of Pennsylvania Press, 1992.CrossRefGoogle Scholar
Randall, John Herman Jr.The Development of Scientific Method in the School of Padua.” Journal of the History of Ideas 1, no. 2 (1940): 177206.CrossRefGoogle Scholar
Randall, John Herman Jr. The School of Padua and the Emergence of Modern Science. Padua: Antenore, 1961.Google Scholar
Rashdall, Hastings. The Universities of Europe in the Middle Ages. 3 vols. London: Oxford University Press, 1964.Google Scholar
Reeve, Michael D.Classical Scholarship.” In The Cambridge Companion to Renaissance Humanism, edited by Kraye, Jill, 2047. Cambridge: Cambridge University Press, 2007.Google Scholar
Regoliosi, Mariangela, ed. Lorenzo Valla e l’umanesimo toscano. Florence: Polistampa, 2007.Google Scholar
Ricci, Roberta, and Eric, L. Pumroy, eds. Poggio Bracciolini and the Rediscovery of Antiquity: Textual and Material Traditions, Proceedings of the Symposium Held at Bryn Mawr College on April 8–9, 2016. Florence: Firenze University Press, 2020.Google Scholar
Richards, John. Altichiero: An Artist and His Patrons in the Italian Trecento. Cambridge: Cambridge University Press, 2000.Google Scholar
Richards, John. “Altichiero in the Fifteenth Century.” In Venice and the Veneto during the Renaissance: Legacy of Benjamin Kohl, edited by Knapton, Michael, Law, John E., and Smith, Alison A., 429–45. Florence: Firenze University Press, 2014.Google Scholar
Richards, John. Petrarch’s Influence on the Iconography of the Carrara Palace in Padua: The Conflict between Ancestral and Antique Themes in the Fourteenth Century. Lewiston, NY: Edwin Mellen Press, 2007.Google Scholar
Richardson, Donald. “Alberti: Calling His Bluff.” www.donaldart.com.au/index.html, 2009.Google Scholar
Robathan, Dorothy. “A Fifteenth-Century History of Latin Literature.” Speculum 7, no. 2 (1932): 239–48.CrossRefGoogle Scholar
Robey, David. “Humanism and Education in the Early Quattrocento: The De ingenuis moribus of Pier Paolo Vergerio.” Bibliothèque d’humanisme et renaissance 42, no. 1 (1980): 2758.Google Scholar
Robin, Diana Maury. Filelfo in Milan: Writings, 1451–1477. Princeton, NJ: Princeton University Press, 1991.CrossRefGoogle Scholar
Robinson, James Harvey, ed. and trans. Petrarch: The First Modern Scholar and Man of Letters. New York: G. P. Putnam, 1898.Google Scholar
Roover, Raymond de.The Story of the Alberti Company of Florence, 1302–1348, as Revealed in Its Account Books.” Business History Review 32, no. 1 (1958): 1459.CrossRefGoogle Scholar
Rorem, Paul. Pseudo-Dionysius: A Commentary on the Texts and an Introduction to Their Influence. New York: Oxford University Press, 1993.CrossRefGoogle Scholar
Rosa, Lucia Gualdo, ed. Gasparino Barzizza e la rinascita degli studi classici: Fra continuità e rinnovamento. Naples: Instituto Universitario Orientale, 1989.Google Scholar
Rosand, David. “Ekphrasis and the Renaissance of Painting: Observations on Alberti’s Third Book.” In Florilegium Columbianum: Essays in Honor of Paul Oskar Kristeller, edited by Selig, Karl-Ludwig and Somerville, Robert, 147–61. New York: Italica Press, 1987.Google Scholar
Rose, Paul. The Italian Renaissance of Mathematics: Studies on Humanists and Mathematicians from Petrarch to Galileo. Geneva: Droz, 1975.Google Scholar
Rosenberg, Charles. The Court Cities of Northern Italy. Cambridge: Cambridge University Press, 2010.Google Scholar
Rossi, Vittorio. Dal Rinascimento al Risorgimento. Florence: G. C. Sansoni, 1930.Google Scholar
Rossi, Vittorio. “Il Petrarca a Pavia.” Petrarchiana 4, no. 9 (1904): 367437.Google Scholar
Rough, Robert H.Enrico Scrovegni, the Cavalieri Gaudenti, and the Arena Chapel in Padua.” Art Bulletin 62, no. 1 (1980): 2435.CrossRefGoogle Scholar
Rubinstein, Nicolai. Marsilio da Padova e il pensiero politico italiano del Trecento. Padua: Antenore, 1979.Google Scholar
Rüegg, Walter. “Epilogue: The Rise of Humanism.” In Universities in the Middle Ages, edited by de Ridder-Symoens, Hilde, 442–68. Vol. 1 of A History of the University in Europe. Cambridge: Cambridge University Press, 1992.Google Scholar
Rüegg, Walter. “Universities in the Middle Ages.” In Universities in the Middle Ages, edited by de Ridder-Symoens, Hilde, 2440. Vol. 1 of A History of the University in Europe. Cambridge: Cambridge University Press, 1992.Google Scholar
Rumohr, Carl Friedrich von. Italienische Forschungen. 2 vols. Berlin: Nicolai’schen Buch Handlung, 1827.Google Scholar
Rundle, David. “Poggio Bracciolini’s International Reputation and the Significance of Bryn Mawr, MS. 48.” In Poggio Bracciolini and the Rediscovery of Antiquity: Textual and Material Traditions (Proceedings of the Symposium Held at Bryn Mawr College on April 8–9, 2016), edited by Ricci, Roberta and Pumroy, Eric L., 4171. Florence: Firenze University Press, 2020.Google Scholar
Rushforth, Gordon McNeil. “Magister Gregorius De mirabilibus urbis Romae: A New Description of Rome in the Twelfth Century.” Journal of Roman Studies 9 (1919): 1458.CrossRefGoogle Scholar
Russell, Josiah Cox. “Late Ancient and Mediaeval Population.” Transactions of the American Philosophical Society 48, no. 3 (1958): 109–11.CrossRefGoogle Scholar
Sabbadini, Remigio. “Bencius Alexandrinus und der Codex Veronensis des Ausonius.” In Rheinisches Museum für Philologie, 224–34. Bad Orb: J. D. Sauerländers Verlag, 1908.Google Scholar
Sabbadini, Remigio. Giovanni da Ravenna: Insigne figura d?umanista (1343–1408) da documenti inediti. Como: Ostinelli di C. Nani, 1924.Google Scholar
Sabbadini, Remigio. “Giovanni Toscanella,” Giornale ligustico 17, nos. 3–4 (1890): 119.Google Scholar
Sabbadini, Remigio. La scuola e gli studi di Guarino Guarini Veronese: Con 44 documenti. Catania: F. Galati, 1896.Google Scholar
Sabbadini, Remigio. Le scoperte del codici latini e greci nel secoli XIV e XV: Nuove ricerche col riassunto filologico dei due volumi. Florence: Sansoni, 1867.Google Scholar
Sabbadini, Remigio. Storia del Ciceronianismo e di altre questioni letterarie nell’età della Rinascenza. Torino: Ermanno Loescher 1886.Google Scholar
Sabbadini, Remigio. Storia e critica di testi latini: Cicerone, Donato, Tacito, Celso, Plauto, Plinio, Quintiliano, Livio e Sallustio, commedia ignota indice dei nomi e dei manoscritti, bibliografia dell’autore. Edited by Giuseppe Billanovich. Padua: Antenore, 1979.Google Scholar
Sabbadini, Remigio. Studi di Gasparino Barzizza su Quintiliano e Cicerone. Livorno, 1886. Reprint. New York: Columbia University Press, 1992.Google Scholar
Sabbadini, Remigio. Vita di Guarino Veronese. Genoa: Istituto Sordo-Muti, 1891.Google Scholar
Sandberg-Vavalà, Evelyn. “A Chapter in Fourteenth-Century Iconography: Verona.” Art Bulletin 11, no. 4 (1929): 376412.CrossRefGoogle Scholar
Sandberg-Vavalà, Evelyn. La pittura Veronese del Trecento e del primo Quattrocento. Verona: La Tipografica Veronese, 1926.Google Scholar
Sartori, Antonio. “La Cappella di S. Giacomo.” Il Santo: Rivista francescana di storia, dottrina e arte 6 (1966): 267359.Google Scholar
Scheller, R. W.Uomini Famosi.” Bulletin van der Rijksmuseum 10 (1962): 5667.Google Scholar
Scher, Stephen K. Perspectives on the Renaissance Medal. New York: Garland, 2000.Google Scholar
Schio, Giovanni da. Sulla vita e sugli scritti di Antonio Loschi: Vincentino; Uomo di lettere e di stato. Padua: Seminario, 1858.Google Scholar
Schlosser, Julius von. Ein Künstlerproblem der Renaissance: L. B. Alberti. Vienna: Hölder-Pichler-Tempsky, 1929.Google Scholar
Schlosser, Julius von. “Ein Veronesisches Bilderbuch und die höfische Kunst des XIV. Jahrhunderts.” Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses 16 (1895): 183–93.Google Scholar
Schneider, Laurie. “Leon Battista Alberti: Some Biographical Implications of the Winged Eye.” Art Bulletin 72, no. 2 (1990): 261–70.Google Scholar
Schubring, Paul. “Uomini Famosi.” Repertorium Kunstwissenschaft 23 (1900): 424ff.Google Scholar
Seigel, Jerrold E. Rhetoric and Philosophy in Renaissance Humanism: The Union of Eloquence and Wisdom, Petrarch to Valla. Princeton, NJ: Princeton University Press, 1968.CrossRefGoogle Scholar
Sforza, Giovanni. La patria, la famiglia e la Giovinezza di Papa Niccolò V: Ricerche storiche. Lucca: Giusti, 1884.Google Scholar
Sgarbi, Vittorio. Giotto e il suo tempo. Milan: F. Motta, 2000.Google Scholar
Shorr, Dorothy C.The Role of the Virgin in Giotto’s Last Judgment.” Art Bulletin 38, no. 4 (December 1956): 207–17.Google Scholar
Shorr, Dorothy C.Some Notes on the Iconography of Petrarch’s Triumph of Fame.” Art Bulletin 20, no. 1 (1938): 100107.CrossRefGoogle Scholar
Simon, Robin. “Altichiero versus Avanzo.” Papers of the British School at Rome 45 (1977): 252–71.CrossRefGoogle Scholar
Simon, Robin. “Introduction.” In Richards, John, Petrarch’s Influence on the Iconography of the Carrara Palace in Padua: The Conflict between Ancestral and Antique Themes in the Fourteenth Century. Lewiston, NY: Edwin Mellen Press, 2007.Google Scholar
Simpson, Amanda. Van Eyck: The Complete Works. London: Chaucer Press, 2007.Google Scholar
Siraisi, Nancy. Arts and Sciences at Padua: The Studium of Padua before 1350. Toronto: Pontifical Institute of Mediaeval Studies, 1973.Google Scholar
Siraisi, Nancy. Medieval and Early Renaissance Medicine: An Introduction to Knowledge and Practice. Chicago: University of Chicago Press, 2009.Google Scholar
Skaug, Erling. “Cenniniana: Notes on Cennino Cennini and His Treatise.” Arte cristiana 81 (1993): 1522.Google Scholar
Skinner, Quentin. The Foundations of Modern Political Thought. 2 vols. Cambridge: Cambridge University Press, 1978.Google Scholar
Sparavigna, Amelia Carolina.Giovanni de la Fontana: Engineer and Magician.” Politechnico di Torino Repository Istituzionale. 2013. Reprint. Ithaca, NY: Cornell University Library, 2020.Google Scholar
Spencer, John R.Ut Rhetorica Pictura: A Study in Quattrocento Theory of Painting.” Journal of the Warburg and Courtauld Institutes 20, nos. 1–2 (1957): 2644.CrossRefGoogle Scholar
Stacey, Peter. Roman Monarchy and the Renaissance Prince. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Stahl, William Harris, Johnson, Richard, and Burge, E. L.. Martianus Capella and the Seven Liberal Arts: The Marriage of Philology and Mercury. New York: Columbia University Press, 1977.Google Scholar
Stenhouse, William. “Reading Inscriptions and Writing Ancient History in the Late Renaissance.” Bulletin of the Institute of Classical Studies 86, Supplement (2005): 4373.Google Scholar
Stinger, Charles L. The Renaissance in Rome. Terre Haute: Indiana University Press, 1998.Google Scholar
Summers, David. The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics. Cambridge: Cambridge University Press, 1990.Google Scholar
Sutton, Kay. “The ‘Lost’ Officiolum of Franceso Barberino Rediscovered.” Burlington Magazine 147 (2005): 152–64.Google Scholar
Thomann, Johannes. “Pietro d’Abano on Giotto.” Journal of the Warburg and Courtauld Institutes 54 (1991): 238–44.CrossRefGoogle Scholar
Thomas-Stanford, Charles. Early Editions of Euclid’s Elements. San Francisco: Alan Wofsy Fine Arts, 1979.Google Scholar
Thomson, Ian. “Some Notes on the Contents of Guarino’s Library.” Renaissance Quarterly 29, no. 2 (1976): 169–77.CrossRefGoogle Scholar
Thomson, Ian. Studies in the Life, Scholarship, and Educational Achievement of Guarino da Verona (1374–1460). St. Andrews: University of St. Andrews Press, 1969.Google Scholar
Thorndike, Lynn. A History of Magic and Experimental Science. 8 vols. New York: Macmillan, 1923.CrossRefGoogle Scholar
Tóth, Paolo de. Il Beato Cardinale Nicolò Albergati e i suoi tempi: 1375–1444. Viterbo: La Commerciale, 1934.Google Scholar
Toynbee, Paget. Dante Alighieri: His Life and Works. New York: Macmillan, 1910.Google Scholar
Trapp, Joseph B.The Image of Livy in the Middle Ages and the Renaissance.” In Studies of Petrarch and His Influence, 279339. London: Pindar, 2003.Google Scholar
Trapp, Joseph B. Studies of Petrarch and His Influence. London: Pindar, 2003.Google Scholar
Trinkhaus, Charles. “Protagorus in the Renaissance: An Exploration.” In Philosophy and Humanism: Renaissance Essays in Honor of Paul Oskar Kristeller, edited by Mahoney, Edward P., 190213. Leiden: Brill, 1976.CrossRefGoogle Scholar
Troncelliti, Latifah. The Parallell Realities of Alberti and Cennini: The Power of Writing and the Visual Arts in the Italian Quattrocento. Lewiston, NY: Edwin Mellen Press, 2004.Google Scholar
Ullman, Berthold Louis. The Humanism of Coluccio Salutati. Padua: Antenore, 1963.Google Scholar
Ullman, Berthold Louis. “Petrarch’s Favorite Books.” Transactions and Proceedings from the American Philological Association 24 (1923): 2138.CrossRefGoogle Scholar
Ullman, Berthold Louis. “Some Aspects of Italian Humanism.” In Renaissance Studies in Honor of Hardin Craig, edited by Maxwell, Baldwin, Briggs, W. D., Johnson, Francis R., and Thompson, E. N. S., 1231. Stanford, CA: Stanford University Press, 1941.Google Scholar
Unguru, Sabetai, “Witelo and Thirteenth-Century Mathematics: An Assessment of His Contributions.” Isis 63, no. 4 (December 1972): 496508.CrossRefGoogle Scholar
Upton, Joel M. Petrus Christus: His Place in Fifteenth-Century Flemish Painting. University Park: Pennsylvania State University Press, 1990.Google Scholar
Valentini, Roberto, and Zucchetti, Giuseppe, eds. Codice topografico della città di Roma. 4 vols. Rome: Tipografia del Senato, 1946.Google Scholar
Vaughan, Richard. Philip the Good: The Apogee of Burgundy. Woodbridge: Boydell, 2002.Google Scholar
Wallace-Hadrill, Andrew. Houses and Society in Pompeii and Herculaneum. Princeton, NJ: Princeton University Press, 1994.CrossRefGoogle Scholar
Warr, Cordelia. “Painting in Late Fourteenth-Century Padua: The Patronage of Fina Buzzacarini.” Renaissance Studies 10, no. 2 (1996): 139–55.CrossRefGoogle Scholar
Watkins, Renée Neu. “The Authorship of the Vita anonyma of Leon Battista Alberti.” Studies in the Renaissance 4 (1957): 101–12.CrossRefGoogle Scholar
Watkins, Renée Neu. “L. B. Alberti in the Mirror: An Interpretation of the Vita with a New Translation.” Italian Quarterly 30, no. 117 (1989): 530.Google Scholar
Weale, William Henry James. The Van Eycks and Their Art. London: John Lane, the Bodley Head, 1928. First published as H.J. Weale. “Portraits of Jan van Eyke in the Viena Gallery. Burlinton Magazine 5 (1904).Google Scholar
Weiss, Roberto. “Ausonius in the Fourteenth Century.” In Classical Influences on European Culture: A.D. 500–1500, 6772. Cambridge: Cambridge University Press, 1979.Google Scholar
Weiss, Roberto. “Jan van Eyck’s ‘Albergati’ Portrait.” Burlington Magazine 97, no. 626 (1955): 145–47.Google Scholar
Weiss, Roberto. “Lovato Lovati (1241–1309).” Italian Studies: An Annual Review 6, no. 1 (1951): 328.CrossRefGoogle Scholar
Weiss, Roberto. The Renaissance Discovery of Classical Antiquity. Oxford: B. Blackwell, 1969.Google Scholar
Weiss, Roberto. “Some Van Eyckian Illuminations from Italy.” Journal of the Warburg and Courtauld Institutes 18, nos. 3–4 (1955): 319–21.CrossRefGoogle Scholar
Weller, Peter. “Death by Crucifixion: Passion and Compassion in the Late Trecento Carved Wood Crucifixes of Pisa.” MA thesis, Syracuse University in Florence, 2001.Google Scholar
Westfall, Carroll W.Painting and the Liberal Arts: Alberti’s View.” Journal of the History of Ideas 30, no. 4 (1969): 487506.CrossRefGoogle Scholar
White, John. The Birth and Rebirth of Pictorial Space. Cambridge, MA: Belknap Press, 1987.Google Scholar
Wicksteed, Philip Henry, and Edmund, Garratt Gardener, ed. and trans. Dante and Giovanni del Virgilio: Including a Critical Edition of the Text of Dante’s “Eclogae Latinae” and of the Poetic Remains of Giovanni del Virgilio. Westminster: Archibald Constable, 1902.Google Scholar
Wilkins, Ernest H.On Petrarch’s Appreciation of Art.” Speculum 36, no. 2 (1961): 299301.CrossRefGoogle Scholar
Williams, Robert. Art Theory: An Historical Introduction. Chichester: Blackwell, 2009.Google Scholar
Wind, Edgar. Pagan Mysteries in the Renaissance. New York: W. W. Norton, 1968.Google Scholar
Winroth, Anders. The Making of Gratian’s Decretum. Cambridge: Cambridge University Press, 2004.Google Scholar
Winterbottom, Michael. “Fifteenth-Century Manuscripts of Quintilian.” Classical Quarterly, n.s., 17, no. 2 (1967): 339–69.CrossRefGoogle Scholar
Witt, Ronald G. Coluccio Salutati and His Public Letters. Geneva: Droz, 1976.Google Scholar
Witt, Ronald G. In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni. Leiden: Brill, 2000.CrossRefGoogle Scholar
Witt, Ronald G. “Latini, Lovato and the Revival of Antiquity.” Dante Studies, with the Annual Report of the Dante Society, no. 112 (1994): 53–61.Google Scholar
Witt, Ronald G.Medieval Italian Culture and the Origins of Humanism as a Stylistic Ideal.” In Italian Humanism and Medieval Rhetoric, 129. Aldershot: Ashgate Publishing, 2001.Google Scholar
Witt, Ronald G.The Rebirth of the Romans as Models of Character (De viris illustribus).” In Petrarch: A Critical Guide to the Complete Works, edited by Kirkham, Victoria and Maggi, Armando, 103–13. Chicago: University of Chicago Press, 2009.Google Scholar
Witt, Ronald G.Still the Matter of the Two Giovannis: A Note on Malpaghini and Conversino.” In Italian Humanism and Medieval Rhetoric, 179–99. Aldershot: Ashgate, 2001.Google Scholar
Witt, Ronald G. The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy. Cambridge: Cambridge University Press, 2012.CrossRefGoogle Scholar
Wohl, Hellmut. The Aesthetics of Italian Renaissance Art: A Reconsideration of Style. Cambridge: Cambridge University Press, 1999.Google Scholar
Wohl, Hellmut. “Puro Senza Ornato: Masaccio, Cristoforo Landino and Leonardo da Vinci.” Journal of the Warburg and Courtauld Institutes 56 (1993): 256–60.CrossRefGoogle Scholar
Woods-Marsden, Joanna. The Gonzaga of Mantua and Pisanello’s Arthurian Frescoes. Princeton, NJ: Princeton University Press, 1988.Google Scholar
Woodward, William Harrison. Studies in Education during the Age of the Renaissance, 1400–1600. Vol. 2. Cambridge: Cambridge University Press, 1906.Google Scholar
Woodward, William Harrison. Vittorino da Feltre and Other Humanist Educators: Essays and Versions; An Introduction to the History of Classical Education. Cambridge: Cambridge University Press, 1897.Google Scholar
Wright, D. R. Edward.Alberti’s De pictura: Its Literary Structure and Purpose.” Journal of the Warburg and Courtauld Institutes 47 (1984): 5271.CrossRefGoogle Scholar
Zaccagnini, Guido. L’insegnamento privato a Bologna e altrove nei secoli XIII e XIV. Bologna: Stabilimenti Poligrafici Riuniti, 1924.Google Scholar
Zardo, Antonio. Albertino Mussato: Studio storico e letterario. Padua: Angelo Drachi, 1884.Google Scholar
Zorzi, Elda. “Il territorio padovano nel periodo di trapasso da comitato a comune.” In Miscellenea di storia Veneta 3, no. 1, 1309. Venice: Reale Deputazione Editrice, 1930.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Peter Weller
  • Book: Leon Battista Alberti in Exile
  • Online publication: 07 February 2025
  • Chapter DOI: https://doi.org/10.1017/9781009548632.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Peter Weller
  • Book: Leon Battista Alberti in Exile
  • Online publication: 07 February 2025
  • Chapter DOI: https://doi.org/10.1017/9781009548632.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Peter Weller
  • Book: Leon Battista Alberti in Exile
  • Online publication: 07 February 2025
  • Chapter DOI: https://doi.org/10.1017/9781009548632.009
Available formats
×