from III - How Legal Design Works
Published online by Cambridge University Press: 19 December 2024
This chapter explores the design of the International Criminal Court’s (ICC) permanent premises and the politics of movement on its grounds. Drawing on literature in the field of critical international criminal law, law and architecture, legal design, and feminist courtroom geography, the chapter rethinks how the architecture of this particular international court is in constant conversation with its surroundings and its visitors, and how it is entangled with questions of international (criminal) law’s legitimacy and its appeal to humanity, dignity, truth, and justice. My starting point is the constant tension between inclusion and exclusion already inherently present in the design concept of Schmidt Hammer Lassen Architects, who aimed to design a building that was to be “a landmark that conveys the eminence and authority of the ICC, while at the same time relating on a human scale." By providing a deeper understanding of the politics of design at the ICC’s permanent premises, this chapter aims to contribute to an interdisciplinary conversation on international law’s opportunities, challenges, and possible alternatives.
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