Book contents
- Law and Creativity in the Age of the Entertainment Franchise
- Series page
- Law and Creativity in the Age of the Entertainment Franchise
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Part I Introduction
- Part II The productivity of the author model: authors, collaborators and non-authors
- Part III Managing authorship
- 5 Building and rebuilding reputations
- 6 Dramatic copyright and the ‘Disneyfication’ of theatre space
- 7 Instituting copyright
- 8 Flamenco music in copyright historiography
- Part IV Group rights and culture
- Index
7 - Instituting copyright
Reconciling copyright law and industry practice in the Australian film and television sector
from Part III - Managing authorship
Published online by Cambridge University Press: 05 November 2014
- Law and Creativity in the Age of the Entertainment Franchise
- Series page
- Law and Creativity in the Age of the Entertainment Franchise
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Part I Introduction
- Part II The productivity of the author model: authors, collaborators and non-authors
- Part III Managing authorship
- 5 Building and rebuilding reputations
- 6 Dramatic copyright and the ‘Disneyfication’ of theatre space
- 7 Instituting copyright
- 8 Flamenco music in copyright historiography
- Part IV Group rights and culture
- Index
Summary
- Type
- Chapter
- Information
- Law and Creativity in the Age of the Entertainment Franchise , pp. 140 - 169Publisher: Cambridge University PressPrint publication year: 2014