This chapter is a response to the volume’s arguments. It explores the book’s two central claims – that literary works must be seen as products of their time, and are best understood as being in dialogue with one another. It argues that ‘being of one’s time’ is a complex idea that requires a sophisticated sense of ‘situatedness’. Specifically, it first explores how the imperial and colonial conditions of Hellenistic culture produce contested performances of belonging that change over time as the imaginary of empire is constructed. Second, it looks at how ‘dialogues’ between texts are gestures of self-authorisation for ancient writers and for modern historians. Third, it draws attention to the physical affordances of the construction of belonging – from how a person speaks and walks to the material culture of empire. Finally, it suggests that the book’s unwillingness to discuss the full range of, say, Jewish Greek writing from the period restricts how we can understand cultural translation and cultural belonging in the Hellenistic age, and produces a potentially misleading literary history of the era.