Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-25T17:05:11.932Z Has data issue: false hasContentIssue false

2 - Landscape and Autography

Published online by Cambridge University Press:  20 June 2023

Christine Göttler
Affiliation:
Universität Bern, Switzerland
Get access

Summary

Abstract

Departing from the famed “Lugt Group” of early landscape drawings created by Pieter Bruegel the Elder, his son Jan Brueghel the Elder, and other Bruegel followers, this essay considers the special relationship between the increasingly independent landscape genre and the acceptance of drawings as objects worthy of preservation. This essay provides an exploration of how landscape subjects lent themselves to the development of drawn autography in the early modern era, and it will argue that the site of landscape drawing often served to register the artist's individual style rather than simply to document his or her powers of observation.

Keywords: drawing; pictorial style; invention; self-expression; pen and ink drawing; use of artistic sources

The Unnatural Landscape

Despite a critical prejudice against landscape subjects during his lifetime, Pieter Bruegel the Elder (1525/30–1569) demonstrated his inventive faculties and technical brilliance rendering elements of nature through painting, drawing, and printmaking. Given his innovative contributions to iconography for both allegorical and peasant subjects, it is consistent with Bruegel's established role in art history to acknowledge his impact on the rise of landscape as critically accepted subject matter for the visual arts in Western Europe. This essay explores Bruegel's contribution in this field through the lens of his work as a draftsman, and it asks what role landscape drawing played for the artists working in the generation immediately following his own. As this text will argue, the practice of landscape drawing served artists not only as a habit to develop skills of observation, but also as a vehicle for self-conscious demonstration of invention and facility with pen and ink.

In his biography of Bruegel, Karel van Mander (1548–1606) offered the following, now frequently cited comment: “On his travels he drew many views from life, so that it is said that when he was in the Alps he swallowed all those mountains and rocks which, upon returning home, he spat out again on canvases and panels, so faithfully was he able, in this respect and others, to follow Nature.” As other scholars have noted, Van Mander emphasized how the act of drawing directly from nature enhanced Bruegel's mimetic capacity to render landscape elements in the context of painting.

Type
Chapter
Information
Landscape and Earth in Early Modernity
Picturing Unruly Nature
, pp. 123 - 152
Publisher: Amsterdam University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×