Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-19T09:31:01.468Z Has data issue: false hasContentIssue false

II - CONTENT OF THE KO-TAI

Published online by Cambridge University Press:  21 October 2015

Get access

Summary

Ko-tai performances usually start at 8 p.m. and end before midnight. The four-hour performances are normally divided into four parts: 1) popular songs; 2) comic sketch; 3) instrumental interlude by the band, and popular songs; 4) comic sketch II. Although each show has the same format, different songs and skits are presented each night.

After a brief discussion of the nature of the songs rendered, I shall analyse in detail the content of the comic sketches performed. Such uneven treatment is justified in view of the fact that for the audience, the comic sketches are the highlights of the evening. Their popularity, I shall argue, is directly related to their content which by and large focuses on issues relevant to the lower-class Chinese audience. In this regard, the ko-tai is not just a colourful variety show.

Popular Songs

Popular songs are presented by a succession of female and male singers dressed in Western clothes and accompanied by electric-guitar bands. The repertoire usually includes Mandarin, Cantonese, and Hokkien songs made popular in Taiwan and Hong Kong and which are available on cassette tapes, records or even played over the state radio in Malaysia. Occasionally, American and English top hits are also presented, while local Chinese, Malay, and Indian songs are increasingly sung. These songs deal with themes which attract the younger generation. For example, some songs such as the one below remind those in the audience who have come from the rural areas, of life in the village:

Sister washes clothes by the river,

Brother looks after the cows and goats in the fields.

The beauty of the village cannot be forgotten

Now I'm far away from the village;

Every night I long for the village and feel sad

Thinking of the village, thinking of dad and mum.

My heart is full of longing, Ah!

When can I return? Ah!

When can I see dad and mum?

Type
Chapter
Information
Ko-tai
A New Form of Chinese Urban Street Theatre in Malaysia
, pp. 11 - 19
Publisher: ISEAS–Yusof Ishak Institute
Print publication year: 1984

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×